A Quote by MC Hammer

Every time you see me that Hammer's just so hype
I'm dope on the floor and I'm magic on the mic — © MC Hammer
Every time you see me that Hammer's just so hype I'm dope on the floor and I'm magic on the mic
If you hype something and it succeeds, you're a genius - it wasn't a hype. If you hype it and it fails, then it was just a hype.
The only reason why I'm on Twitter is because Dixie Carter made me. I'll go on Twitter every now and again and just say some things. Normally, it's just to hype wrestling and to hype what's coming on TV and whatnot.
The song 'If I Had a Hammer' is geared toward people who don't have a hammer. Maybe before I had a hammer I thought I'd hammer in the morning and hammer in the evening. But once you get a hammer, you find you don't really hammer as much as you thought you would.
The film medium is some sort of magic. I think also it's a magic that every frame comes and stands still for a fraction of a second and then it darkens. A half part of the time when you see a picture you sit in complete darkness. Isn't that fascinating? That is magic.
Back in the day, when the D.J. would be playing a record, I'd be on the mic trying to hype up the crowd. So once Public Enemy became a rap group, I decided that that's the role that I wanted to take on. I wanted to be the one that was hyping, because I've always been good at it. I can hype up any crowd.
Back in the day, when the D.J. would be playing a record, Id be on the mic trying to hype up the crowd. So once Public Enemy became a rap group, I decided that thats the role that I wanted to take on. I wanted to be the one that was hyping, because Ive always been good at it. I can hype up any crowd.
The hype man's job is to get everybody out of their seats and on the dance floor to have a good time.
I was 16 at the time, and I came backstage and started hanging out with them. I said, "Well, maybe you can 'vanish' the silk this way." The opening was a black stage while the "Magic to Do" song started playing. All you saw were hands, lit by Jules Fisher, and then Ben Vereen would appear beyond the hands, and at the end of the scene he would vanish a silk. The spotlight would hit a red spot on the floor where you'd see the silk on the floor. He'd pull the silk out of the floor and it became the entire set coming out of the floor.
I can say with confidence that I never bought into the hype, and I made sure that the people around me didn't buy into the hype, and I did not surround myself with people who fed me the hype. And I'm glad of that as well.
Every time I see open space I see a mat on the floor
Every little boy wanna pick up the mic, And try to run with the big boys and live up to the real hype. But that's like pickin up a ball, playin with Mike, Swingin at Ken Griffey or challengin' Roy to a fight.
Individually, yeah, I want to be the best version of me. But I want to make everyone else feel comfortable on the floor where they can go out there and they are just playing their game. That's when I'm the happiest, when every guy on the floor is just being that.
They call it the rope-a-dope. Well, I'm the dope. Ali just laid on the rope and I, like a dope, kept punching until I got tired. But he was probably the most smart fighter I've ever gotten into the ring with.
I write some crappy songs. ... but every once in a while I get just the right words put together for the right moment, and it feels like magic. There is no explaining the magic. It floats in and then just like that, it floats out. There's no amount of money that will buy magic. I've watched myself try to coax it, but it is only when I relax and totally allow magic to envelop me that it has ever been kind.
Football is magic for me: it is a special feeling every time I walk out on to the pitch and touch the ball. That is how I would define what magic is.
Singing is something I do every day - not every other month. When I touch the mic, the same thing happens every time.
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