A Quote by MC Lars

The hardest thing about getting publicity is doing it on a budget... you can hire people to market you but it's hard in this industry when it comes out of pocket. I've found that if the music is awesome, that helps a lot.
We hired extremely slowly at the beginning. It took us a year to get to four people. It's hard to hire as a very small company, and we wanted to make sure we found people who cared a lot about what Stripe was doing.
The hardest challenge I'm facing is just balancing my family with the industry. It's kind of like, you gotta stay out there doing your thing, doing whatever and it takes you away from your family. So it's hard to balance it out but once you get it, it's a lifestyle. You got to sacrifice to do what it is you want.
The hardest part about the music industry for anyone is getting into the ears of the world.
I've just recently started doing the promo bits for the new album, and the funny thing is that the people who come to talk to me about these things seem to be getting younger. It's like the people who like the music are all young kids and they're on top of you - they know all about what you're doing, and they're excited and animated about it. So it's a lot of fun.
I don't like being in the service industry and having to deal with people yelling at me all the time. McDonald's was the hardest job I ever had - so I have a lot of respect for people who work in the fast food industry. Because it's a hard job.
I want the music to be heard as close to when I made it, as much as possible. I don't want to get into some "future of the music industry" thing, or where I stand on digital this or that, but I think it's ridiculous that a lot of people in the industry plan so far ahead that it makes a lot of improvisation impossible and makes a lot of people's expectations fixed and not fluid.
There were a lot of heads turning when people found out I was doing music and when they found out it was country, they were like, 'What?
There were a lot of heads turning when people found out I was doing music and when they found out it was country, they were like, 'What?'
We don't market products narrowly. We market big stories about the industry, things that matter to a lot of people.
The streets helps you a lot in music, cause it let's you know that you can't trust nobody and that nobody's gonna wait for you. You can't just sit there with dope in your pocket and think that people are gonna come to you. You gotta put the product out there.
The commercial music video industry is very hard to break into, and until you break in, that first job is the hardest thing in the world to get.
I wanted to play my original music, but it was really hard because a lot of the people who would come out to the shows found out about me through 'The Voice' and wanted to hear covers.
Most of us who got into film industry in early 2000s weren't prepared for the constant vigilance that being a celebrity requires, and there's no school for learning how to handle it well or gracefully. It's a hard thing to figure out. A lot of people don't deal with it well because they're either too paranoid or they're doing things they probably shouldn't be doing in public.
For a lot of people, when something happens that gives them 15 minutes of fame, they try to create something new out of that. I was really fortunate. For a professional speaker, it is all about press, publicity and PR, so to get that much free publicity ... it made life a lot easier.
There are so many things I'd like to change in the industry. Everything from the reliance of style over substance to their reluctance to hire me for big budget blockbusters, but the thing I would love most would be if they understood people don't have to be Hollywood beautiful to be sexy or interesting.
The hardest thing in my industry is longevity, getting your next job. It's hard to get the first job, but it's so much harder to get the sixth or seventh as a woman.
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