A Quote by McKayla Maroney
I did a 'Hart of Dixie' episode, and I was so excited for that.
Related Quotes
Dixie has just fallen to pieces. There are little patches of Dixie. But even in the heart of Dixie - in Alabama - Dixie is slipping. They've stopped using the word in commercial listings.
I hadn't gotten a chance to do a lot of comedy, so 'Hart of Dixie' was a great place where I got a chance to do that and play.
I lived with Stu Hart and the rest of the Hart's. So, I could go to the Hart Dungeon any time I wanted.
I wish I was in de land ob cotton,
Ole times dar am not forgotten,
Look-a-way! Look-a-way! Look-a-way, Dixie Land!
* * * * *
Den I wish I was in Dixie, Hooray! Hooray!
In Dixie Land I'll take my stand
To lib and die in Dixie.
I did an episode of The Profiler. I actually worked on the last episode of Murphy Brown.
I did an episode of The Profiler.
I actually worked on the last episode of Murphy Brown.
I did a Moonlighting episode because I was friends with Whoopi [Goldberg, who guest-starred in the same episode], and she asked me to do it and I did it. But yeah, that was my first regular on a series, and it's because I'd met Brooke Shields a number of years earlier at a charity event.
[Jack Nash] was very different than anything I'd played. In fact, there's a scene I have in a tent with Louis Ferreira, who just did an episode of Travelers. He was in the fourth episode of Travelers playing another team leader, and we really have it out, not unlike the way we did in the tent in Andromeda.
I'm still in the Dixie Chicks; we haven't broken up... I love the Dixie Chicks; it's the most fun I've ever had in my life. It was like winning the lottery.
Germany has a deep respect for the Hart family, especially Bret 'The Hitman' Hart.
We used to be called the Dixie Chickens. Then we played at a barbecue place, and they had a sign saying, 'Featured Tonight: The Dixie Chickens,' and everybody started ordering it for dinner! So we shortened it.
Tinsel on our Christmas trees is a Hart family staple started by my grandmother, Helen Hart.
We do want the freedom to move scenes from episode to episode to episode. And we do want the freedom to move writing from episode to episode to episode, because as it starts to come in and as you start to look at it as a five-hour movie just like you would in a two-hour movie, move a scene from the first 30 minutes to maybe 50 minutes in. In a streaming series, you would now be in a different episode. It's so complicated, and we're so still using the rules that were built for episodic television that we're really trying to figure it out.
We didn't like the idea of Dixie Chick action figures. I mean that's just the kiss of death for a group. How could a hip teenager enjoy the Dixie Chicks while their little sister is playing with a Martie doll in the other room?
I wrote Steve Carell's last episode. I think it was a really good episode, but there's always a tension between what's good for the series and what's good for an episode, because the more closure you put on an episode, the more significant feeling it is.
I was talking to Shonda Rhimes the other day and I said, "I. Do. Not. Know. How. You. Do. This." While we're writing episode 10, episode 6 is shooting, episode 3 is in the edit, and episode 2 is in its color session...You've got seven episodes in different parts! It's a wild, wild, wild ride, which I thoroughly enjoyed. It was badass and amazing.
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