A Quote by McKenzie Wark
Trump appears to some as too simulated, too much a spectacle. But all authorized politics is spectacle. He just does it in a different style. It's not conservative, its post-liberal. Rather than make hypocritical gestures towards the just, the good and the true, it's about making hyperbolic gestures about their absence.
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It was one of the late Conservative Government's gestures towards agriculture -- graceful as a kiss, and of about as much use.
The more he identifies with the dominant images of need, the less he understands his own life and his own desires. The spectacle’s estrangement from the acting subject is expressed by the fact that the individual’s gestures are no longer his own; they are the gestures of someone else who represents them to him.
I just do what Clint Eastwood does: Keep moving forward. You can't look back or think about that kind of stuff too much. You just keep making movies; hopefully you make some good ones.
I definitely make an effort to work on different styles of music: not working on too many post-rock bands, or too many heavy bands, or too many folk bands, or just whatever. I have no desire to be known as somebody that just works on a single style of music and would rather avoid it, actually.
The trouble with politics and political coverage today is that there's too much liberal bias.... There's too much tilt toward the left-wing agenda. Too much apology for liberal policy failures. Too much pandering to liberal candidates and causes.
The only thing I say I consciously do is I definitely make an effort to work on different styles of music: not working on too many post-rock bands, or too many heavy bands, or too many folk bands, or just whatever. I have no desire to be known as somebody that just works on a single style of music and would rather avoid it, actually.
In the past, I have made a point of pointing out that Donald Trump is not ideological. Now, to me, that means more than he's not just conservative or liberal. But I guess I'm gonna need to add to that. When I say he's not ideological - and I'll explain that again - he's not a conservative, and he's not a liberal. He knows what both things are. It's just not how he looks at the world, and it's not how he sees people. Now, to some people that's refreshing and it's good. To other people, it's alarming.
The occupational hazard of making a spectacle of yourself, over the long haul, is that at some point you buy a ticket too.
But I'd rather help than watch. I'd rather have a heart than a mind. I'd rather expose too much than too little. I'd rather say hello to strangers than be afraid of them. I would rather know all this about myself than have more money than I need. I'd rather have something to love than a way to impress you.
If our planet has seen some eighty billion people it is difficult to suppose hat every individual has had his or her own repertory of gestures. Arithmetically, it is simply impossible. Without the slightest doubt, there are far fewer gestures in the world than there are individuals. That finding leads us to a shocking conclusion: a gesture is more individual than an individual. We could put it in the form of an aphorism: many people, few gestures.
Religion, art, and science flourish best in a free society. True, freedom does not afford much opportunity for grand gestures. It has little room for martyrs. But life is not supposed to be about dying well. It is about living well.
People judge too much by results. I'm just the opposite. I care about more than results. I'd rather make a good pitch and give up a bloop single than make a bad pitch and get an out.
There is something in the micro-gestures in Australia that I just understand. It's something I grew up with - how people interact, the slight differences in language and gestures, that I just understand and it puts me at ease.
The biases the media has are much bigger than conservative or liberal. They're about getting ratings, about making money, about doing stories that are easy to cover.
You can't blame movies for embracing spectacle; filmmakers since D.W. Griffith and Cecil B. De Mille have loved spectacle, and spectacle is something that movies convey like no other medium, especially in a digital age.
There's a price you pay for drinking too much, for eating too much sugar, smoking too much marijuana, using too much cocaine, or even drinking too much water. All those things can mess you up, especially, drinking too much L.A. water ... or Love Canal for that matter. But, if people had a better idea of what moderation is really all about, then some of these problems would ... If you use too much of something, your body's just gonna go the "Huh? ... Duh!"
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