A Quote by Meaghan Rath
I watched a lot of movies when I was younger and I remember, when I was seven years old, I asked my parents if I could have an agent for Christmas.
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On the American side, some of the movies that I watched when I was a kid, like E.T. or The Wizard of Oz, those are films that changed my point of view of what film could be, of what you could do. Those are the ones that I remember were incredible when I was younger.
When I was five years old, my parents gave me a drum set for Christmas. My mom played the piano, and Dad played the saxophone badly. But that Christmas morning, I remember we all played together, and I thought it was the greatest day ever.
As long as I could remember, since I was 5 years old, I watched the Stanley Cup. I stayed up, made a point of watching it presented, watched the celebration in the locker room, and always dreamed that maybe I'd get there.
I'm often asked by younger filmmakers, 'Why do I need to look at old movies?' I've made a number of pictures in the last 20 years and the response I have to give them is that I still consider myself a student. The more pictures I've made in 20 years, the more I realize I really don't know. And I'm always looking for something or someone that I could learn from. I tell the younger filmmakers, and the young students, that do it like painters used to do—that painters do—study the old masters, enrich your palette, expand the canvas. There's always so much more to learn.
I watched a lot of old movies. Clint Eastwood movies, a lot of John Wayne films, a lot of movies that celebrated the region of where I lived.
I started taking acting classes when I was 14. That's when I knew I wanted to try it professionally. Before that, I watched movies, always, but I didn't think it was a real job. I watched Turner Classic Movies with my parents. I've always loved the old classics.
When I was in seventh grade, I asked my parents for a mobile recording system for Christmas, and I got it. I didn't come out of my room for years after that. I'd get invited to the movies and I'd say, 'I'm gonna finish a couple of demos.'
When I was seven, I asked my mom if I could be on TV, and she said if I really wanted to, I could. I got an agent and booked my first audition.
My parents were kind of over protective people. Me and my sister had to play in the backyard all the time. They bought us bikes for Christmas but wouldn't My younger brother will remember that he received a transistor radio for Christmas. I took it apart and it never worked again.
I remember doing 5th grade math when I was like seven years old. My parents just constantly pushed me, in a good way, to always demand excellence in everything that I did.
I had to act in a school play when I was about ten years old. I really didn't want to do it. But everyone had to do it so I didn't have a choice. A talent agent came and watched it and later gave me some work. It's funny because I'd always known that I wanted a movie career. I just didn't think that I would be in the movies.
The only day I remember of my parents' marriage was the day my dad walked out. As I stood there at five years old, with my older sister and younger brother, I knew that he was gone.
The reason I make movies now has a lot to do with having seen Star Wars when I was seven years old. That's the formative movie-going experience of my life.
I've always been shy, but I see that as a good thing because it kept me focused on music. When I was in seventh grade, I asked my parents for a mobile recording system for Christmas, and I got it. I didn't come out of my room for years after that. I'd get invited to the movies and I'd say, 'I'm gonna finish a couple of demos.'
As a child, I remember asking my parents when I was five years old, "How come if you are not Zionists, you came to the country?" I was surprised at myself that I asked this question. It means that it was always in the air. Then years later I understood it was because of the Holocaust, because they were refugees. They did not come as immigrants and, because of the illusions of the '50s and the late '40s, my mother said, "The world must be better." She could not imagine that it wouldn't be different.
I can remember only a small handful of instances in which I talked about politics with my parents. I remember my parents telling me that Daniel Ellsberg was a hero when I was six years old.
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