A Quote by Meaghan Rath

I've done a couple of series before, and what I like about TV is, as an actor, you get that chance to practice all the time, and that's really how you grow. — © Meaghan Rath
I've done a couple of series before, and what I like about TV is, as an actor, you get that chance to practice all the time, and that's really how you grow.
There's something really cool about TV. TV, you get the luxury of having the same people around. It is such a blessing when you get a TV job. You really have a chance to get to make, like, work friends. I think TV is one of the few mediums where I've had the opportunity to get to know my crew members.
TV series, there's a lot of everybody talking to you and giving you input for the first couple episodes, and then they're on such a crazy schedule that you get another episode on a Monday, you have to have it done by Friday and it becomes very solitary work usually, TV shows.
I've kind of gone from TV series to TV series or project to project, and I've wanted to get back in a rehearsal room. I feel like there's that exploration process, in a way, that you get in phases on jobs but I do wish I had that time [at school].
The comic book, and I've said it before, is a treasure trove. It's a grab bag. We certainly have characters and story lines that we really want to do - but to get there in a TV series, you have to take your time. Sometimes you can't get right to it. They're two different mediums. So we make it our own and really own the material. I like to think of it as an alternate universe.
Actors are programmed to see the worst. If you're talking about an actor's TV series, you say, "I loved you last night." And they go, "What about the week before?" They immediately worry.
Actors are programmed to see the worst. If you're talking about an actor's TV series, you say, 'I loved you last night.' And they go, 'What about the week before?' They immediately worry.
You don't have a lot of time to massage a scene into oblivion. It's like you do it, you get a couple of good takes, and then you move on, so you have to be very spontaneous as an actor and have done your homework, and I like that.
After I left 'Laverne & Shirley,' I got a ton of offers to play the goofy guy next door, and there were a couple of series that I was offered that turned out to be successful series, but it was too close to what I'd done on my series, and I was really glad I didn't take it.
Ideally I'd like to be working steadily as an actor: movies, a TV series, that sort of thing. I've been through a few different TV development cycles, and they didn't work out. When the time and project are right, it'll come together. Like I tell a lot of guys, it's not a race; there's no finish line.
I was having a good time before, but you grow up after a couple years and realize, "I can't get drunk like this every night." Things change.
As an actor, I like as much time with the material as possible and given the opportunity, time spent with the other actors in the scene. But that is a rare luxury in working in any TV series.
There are not a lot of places for an actor to explore what it's like to be a woman in her 60s. There aren't any films about it and there very few TV series about it.
I'm so excited about 'Shattered;' it's something I've really enjoyed working in, and it's very different from anything I've done before. I've always been a character actor and done a lot of support work. I've never really been the lead actor, so I'll try and use what I've learned along the way from the other projects.
Before I would view Rob Reiner as this really annoying pest. Every time he'd come on TV or talking about smoking, I found my blood pressure go up. I just met-really met Rob for the first time last week and told him how much I admire him. He's done more than anyone else in the industry.
There are tons of different reasons why you do TV series and why you don't, and how it'll affect your career, and all that. Without a doubt, it has always come down to the script for me. I'm an actor who wants to do great parts, and I've been very fortunate, for a long time, to get meaty roles.
So many movies are so formulaic because you've got to get it done in an hour and a half. On a TV series, that's where the really interesting stuff can happen.
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