A Quote by Measha Brueggergosman
The idea of the nightclub and gospel house music is interesting to me; I can't wait to hit that circuit! The Bible says, "Where two or more are gathered in my name, there am I also." When you sing, dance, or open yourself up to being fed by a performer or edified in the experience, there is this possibility that you're going to leave better than you got there.
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A lot of performers don't want to leave the circuit, the European opera house circuit, partly because most singers don't sing many concerts, or at least not while they are in their prime.
What is the Bible in your house? It is not the Old Testament, it is not the New Testament, it is not the Gospel according to Matthew, or Mark, or Luke, or John; it is the Gospel according to William; it is the Gospel according to Mary; it is the Gospel according to Henry and James; it is the Gospel according to your name. You write your own Bible.
If you find yourself loving any pleasure more than your prayers, any book better than the Bible, any house better than the house of the Lord, any table better than the Lord's table, any persons better than Christ, or any indulgence better than the hope of heaven – be alarmed.
I'm always open to the possibility that somebody's got a better idea than I have. It happens with some frequency.
Being singer is different than being an actor, where you call up sources from your own experience that you can apply to whatever Shakespeare drama you're in. But an actor is pretending to be somebody, a singer isn't. And that's the difference. Singers today have to sing songs where there's very little emotion involved. That and the fact that they have to sing hit records from years gone by doesn't leave a lot of room for any kind of intelligent creativity.
I mean you know at midnight everything is going to turn to pumpkins and mice; right? But if the evening goes along, I mean, you know, the guys look better all the time, the music sounds better, it's more and more fun, you think why the hell should I leave at quarter of 12. I'll leave at two minutes to 12. But the trouble is, there are no clocks on the wall. And everybody thinks they're going to leave at two minutes to 12.
My voice is who I am, who I was when I was 3, and who I am going to be when I am 90 years old. When I hit the stage and people do not know who I am, they automatically assume, before I open my mouth, I am going to sing a Bob Marley song!
I think nobody can get me out. I've got a pretty good idea of what I want to hit. If I get my pitch, I'm going to get a hack in. And if I don't get you this time, I'll get you next time. I'm not saying I'm better than anybody, but I am saying that nobody is better than me.
I always worry that I'm a dilettante: I know something about lots of things but don't have exhaustive knowledge of much. Take dance music: I like enough of it and its history to be able to say a word or two about this or that record, but I'm nobody's authority. I couldn't name more than a couple of good drum'n'bass acts, and I have no idea what's big in the dance world right now.
My house says to me, "do not leave me, for here dwells your past." And the road says to me, "Come and follow me, for I am your future." And I say to both my house and the road, "I have no past, nor have I a future. If I stay here, there is a going in my staying; and if I go there is a staying in my going. Only love and death change all things."
When I was 25, I was in a show called 'Bajour,' and I was going to leave the show because I couldn't breathe. I couldn't sing, and I couldn't do the basic dance steps I had to do. Fortunately, two actors in the production - who were also yoga instructors - taught me some breathing exercises, and my asthma was cured that day.
If you leave yourself open to learning, then you can benefit and enjoy an incredibly rewarding and insightful experience. These experiences are the driving force in my life, and they keep me alive and inspire not only my music but also my everyday life.
I grew up learning carnatic music but I also enjoyed english music so I always thought I could marry the two words and we tried the idea once and it was a hit.
This whole literary game of trying to put yourself in the shoes of your opponent is good for everybody. It leaves you more open-hearted, it gives you a more accurate vision of the other person, because it's more based on curiosity than projection. In the end if you do have to fight, you're better equipped to fight. Also it doesn't leave you damaged at the end, it doesn't leave you hateful or malformed by your own anger.
One performer whose band played my music better than I could myself was Art Farmer. He recorded 'Sing Me Softly of the Blues' and 'Ad Infinitum'.
Just be open, life is about a constant journey and I'm very spiritual, but I'm also in touch with what's going on around me and who I am, and you have to know yourself. So for me, that's what keeps me going is just being interactive.
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