A Quote by Meat Loaf

Just ask anybody who is getting old - everything starts hurting. For me, it's my shoulders, thumbs, knees and feet. — © Meat Loaf
Just ask anybody who is getting old - everything starts hurting. For me, it's my shoulders, thumbs, knees and feet.
Everything I do is intended to make people laugh and think. I just think something is funny, it's not hurting anybody, not stabbing anybody, not shooting anybody, not making anybody watch me perform. There are thousands of comedians, don't come see me because it's not like I hide it.
I don't know that anybody has walked up to me in the street or in a store or in the grocery and said to me, 'I hope you bomb Assad.' Certainly plenty have said, 'No; thumbs down, thumbs down, thumbs down.'
I absolutely love you, Briony, and I am on my knees. So we're getting married - right? But say it fast before we get shot." Only Jack would ask - if you could call it asking - in the middle of a battlefield, with a man lying dead at his feet.
I don't know how to get anything done except getting on my knees and pleading for help and then getting on my feet and going to work.
Let's just say that back in the old days, sex was available every two feet. But I never made love to anybody that did not want me to.
I'm 5 feet 7 but my legs weren't long enough to be a big-time model. From the knees up, everything is long but from ankle to knee, if I was in proportion, I'd be 5 feet 9.
Things go wrong for me all the time with technology. I'm not familiar enough with it, and I'm too old-school a brain to be able to figure it out. I'm dumb. Anything that I have to attack with my thumbs, for any period of time, makes me feel stupid. So, I try to avoid it, as much as possible, to protect my thumbs.
Things go wrong for me, all the time, with technology. I'm not familiar enough with it, and I'm too old school a brain to be able to figure it out. I'm dumb. Anything that I have to attack with my thumbs, for any period of time, makes me feel stupid. So, I try to avoid it, as much as possible, to protect my thumbs.
It is a grueling position (catching). My knees will tell you that. I've had nine knee surgeries. I've had a couple of broken thumbs, one on each hand. I can look back at it and say it's worth it to be enshrined in Cooperstown. I don't have any pain in my knees right now.
Day-old bread? Sadly, in America a lot of day-old bread just becomes nasty. Italian day-old bread, not having any preservatives in it, just becomes harder and it doesn't taste old. What I would warn people about is getting bread that's loaded with other things in it, because it starts to taste old.
The abilities of man must fall short on one side or the other, like too scanty a blanket when you are abed. If you pull it upon your shoulders, your feet are left bare; if you thrust it down to your feet, your shoulders are uncovered.
I'm not hurting anybody. Comedy's all about innuendo. I'm putting it out there just like anybody else.
I love five-string banjo. On an electric guitar, let's say a two-hour show, it starts getting heavy right across the neck and shoulders. And I like to be able to flip it off and grab the fiddle, and that's just the way I do it.
I was a floor model at I. Magnin. I'm 5 feet 7, but my legs weren't long enough to be a big-time model. From the knees up, everything is long, but from ankle to knee, if I was in proportion, I'd be 5 feet 9.
When I am dancing, it feels like my prayer. It's like an offering. I offer my head back to the dance, I offer my shoulders back to the dance, my elbows, my hands, my spine, my knees, my feet, my whole self, my bones, my blood, my experience, my suffering... I offer it all back to the dance and I say: take it, do whatever you want with me. Release me.
I have a photograph at home of Fred Astaire from the knees down with his feet crossed. It's kind of inspiring because it reminds me his feet were bleeding at the end of rehearsals. Yet when you watch him, all you see is freedom. It's a reminder of what the job is about in general, not just being in musicals.
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