A Quote by Meat Loaf

I get very intense: I get to the show five hours early. If we're on at 8 P.M., I'm there at 3 in the afternoon. — © Meat Loaf
I get very intense: I get to the show five hours early. If we're on at 8 P.M., I'm there at 3 in the afternoon.
I go to bed very late and get up very early. If I get five hours, I am very happy.
Long ago, I did a five-and-a-half-hour-a-day, six-day-a-week talk show for four years, early on, in Los Angeles - local show. And when you are on that many hours with no script, you know, you get very comfortable, maybe overly comfortable with that small audience.
The wounds were burning like suns at five in the afternoon, and the crowd broke the windows At five in the afternoon. Ah, that fatal five in the afternoon! It was five by all the clocks! It was five in the shade of the afternoon!
At five in the afternoon. It was exactly five in the afternoon. A boy brought the white sheet at five in the afternoon. A frail of lime ready prepared at five in the afternoon. The rest was death, and death alone
I get up early in the morning, 4 o'clock, and I sit at my desk and what I do is just dream. After three or four hours, that's enough. In the afternoon, I run.
I like to sleep about four or five really solid hours at night, and then sometimes take a nap in the afternoon or early evening after dinner. I love naps.
Not everything is going to be handed to you just because you're talented with a big smile. Sometimes you just gotta get out and shoot jumpers for hours and hours and hours. That's something I didn't really get a grasp on until way later, waking up early and treating it like a job if you're serious about it. Get the freak up and, you know, work.
I hung out a lot with the ring crew guys. I got along better with them then I did the other guys, the other talent. The guys that show up early in the morning and set the ring up and stay there all day and then take the ring down and drive five and six hours that night to get to the next show.
I am very intense. I can't help it. That's the way I am. You can't be in this business without being intense. The pressure and tension get to you; it can't help but show on you.
Slipknot's music is very technical and intense, and it's not easy to play, but that's what makes it special. What's so gratifying about playing a show that is that intense is when you get off the stage, and you know you really delivered at the top of your ability and performance; that is what makes it all worthwhile.
You can't ever get sick on a soap: we work really long hours, the show is on TV five nights a week, and it's random and chaotic.
I'm an early riser. I get up between five and six, have coffee, and read for a couple of hours before everyone else gets up.
You do show after show after show and get them done and on the air. Television devours material. We work a minimum of 12, 14 hours, and often 15, 18 hours a day.
I've always slept pretty well and aim to get eight hours a night. I try to be in bed by midnight at the very latest. Occasionally I'll have an afternoon siesta if I'm going out in the evening.
Any comic can get on the radio show and be funny. You can get that on any morning radio show or afternoon radio show. There are plenty of people who do that. It's not a difficult format, to sit around with two or three comics and be funny.
When you are working on a TV show or series, you just get into the routine. You get used to getting up early. It takes a few days, but once you are up and running, you get used to going home late, and it becomes this very repetitive cycle.
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