A Quote by Medard Boss
When we visualize something, we establish a relationship to the thing itself, not to some mere subjective representation of it inside us.
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"They tell us that the only thing we have to fear is fear itself, but I don't believe that." he said. Then, a moment later, he added: "Oh, the fear is there, all right. It comes to us in many different forms, at different times, and overwhelms us. But the most frightening thing we can do at such times is to turn our backs on it, to close our eyes. For then we take the most precious thing inside us and surrender it to something else. In my case, that something was the wave."
One of the voices that we struggle with inside is the voice of religion. Religion teaches us some very strict things about God and our relationship with God. Some religions teach us that we aren't worthy of having a personal relationship with God.
What Jesus did was not a mere example of something else, not a mere manifestation of some larger truth; it was itself the climactic event and fact of cosmic history. From then on everything is differentthe End came forward into the present in Jesus the Messiah
As the ego cogito, subjectivity is the consciousness that represents something, relates this representation back to itself, and so gathers with itself.
Inside all of us is... hope. Inside all of us is... fear. Inside all of us is... adventure. Inside all of us is a wild thing.
But we are such deceivers that we will not look at ourselves in relationship, because there the real face can be seen. So we close our eyes to relationship, and we go on thinking that something is going to be seen inside. You cannot see anything inside.
What we're doing now, is to try to eradicate the limited notion of how people are interacting with each other through hyper-racialized ideas. A lot of it deal with, as an example, genre. If I ask you to visualize a trap musician or a hip-hop musician, you'll see one thing. If I say visualize a western classical musician, you'll see a very different thing. A lot of how music is disseminated to us is hyper-racialized. It's not something that we think about all the time, but if you take a minute to look back, it's why you get this argument when there's a white rapper.
What am I, really? The beautiful thing...is nobody can tell us what we are. Nobody can really tell us. Not in a way that's going to be satisfactory to us. Our true nature is self-authenticating. When we bump into our true nature, it authenticates itself. Something inside us knows. This...is what has been sought for, longed for, looked for. This is it. Usually, it's not what we expected.
The world is not something separate from you and me; the world, society, is the relationship that we establish or seek to establish between each other. So you and I are the problem, and not the world, because the world is the projection of ourselves, and to understand the world we must understand ourselves. That world is not separate from us; we are the world, and our problems are the world's problems.
Art does not want the representation of a beautiful thing, but the representation of something beautiful.
Humor is the hardest thing to do. Action is so much easier, because you're just trying to establish the mood, and a pacing, and a rhythm, and an energy. Where, in humor, comedy is so subjective.
I take a lot of inspiration from the nature of the universe and visualize my work as a direct or indirect reflection of life, inside and around us.
Although our moral conscience is a part of our consciousness, we do not feel ourselves on an equality with it. In this voice which makes itself heard only to give us orders and establish prohibitions, we cannot recognize our own voices; the very tone in which it speaks to us warns us that it expresses something within us that is not of ourselves.
I pray for you, that all your misgivings will be melted to thanksgivings. Remember that the shadow a thing casts often far exceeds the size of the thing itself (especially if the light be low on the horizon) and though some future fear may strut brave darkness as you approach, the thing itself will be but a speck when seen from beyond. Oh that He would restore us often with that 'aspect from beyond,' to see a thing as He sees it, to remember that He dealeth with us as with sons.
I think that it is important to establish a world of place for the characters in improv and there is nothing to be gained from disagreeing about that. So you have to establish the principle that if some person establishes one thing we're all going to go along with it and that we are all building from it.
The thing itself is never just out there in the world waiting to be framed by the photographer's Leica; rather, it is something dynamically produced in the act of representation and reception and already subject to the grids of meaning imposed on it by culture, history, language, and so forth.
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