A Quote by Meena Harris
I always felt like I could participate at the adult table, but I also knew that if you're going to make an argument about something, you better have something good to say.
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I was also lucky to play for an owner, Bud Selig, who truly cared about his players. He'd call me into his office once in a while when he knew things weren't going so well. And it's funny. Every time I left there I always felt like something good was about to happen.
When I found skating, it was something that was individual, and it was something that I could focus on being my best. And I loved the whole practice, and I also loved performing. It was probably the first time I felt really good about myself and that I was good at something, because I always liked being athletic.
To be taken seriously about doing something creative and probably travel a lot. That was my motivation. I knew I was good, I knew I could write. I also knew you could get laid really easily.
One of the good thing about theater in the states, is that the playwright we do have a say, especially in the beginning, when the play is being discussed around the table. We talk about the play, and the actors listen, and there have been cases, you disagree on something... I mean, actors don't usually tell you what they're going to do, they do it. Of course, you try to speak with the director and say, "Is there any way you can bring this actor to do something different?" You try as much as you can, but then, you also have to be open to interpretation.
I never felt good enough about myself. I could be better at this, I could be better at that. I could look better. My work could be better. That whole idea that you're going to get caught, you're going to be found out as a fraud. That's one of those reasons I got up at 2:30 in the morning.
I always knew I was going to do something with music, but with my whole family being in the business, acting was something that was just mine. But when I was 20 or 21, I started writing songs and felt the itch to make a record.
No matter what you do, people are always going to have something negative to say about it. You could spend your life constantly trying to seek people's approval and validation, but there is always going to be someone that has something negative to say about what you're doing.
I knew Portuguese football and I knew that Rio Ave was a medium-sized club but I also knew they are organised off the pitch. We felt that we could achieve something special playing in a different way.
Have you ever been with a girl, you had an argument and you wanted to make up with her? As long as you say nothing, you can make up with her. If you say something, it's going to be another argument, you are going to get no pussy and you go to bed mad. But if you don't say nothing, it gets closer and closer, y'all make love and it's all expressed through love.
Every time I'm in the studio, I always think of my professor in undergrad. He was like, "There are so many artists in the world. If you're going to be an artist, make sure you have something to say. Don't just be an artist and put out bullshit. Have something to say." I guess that would be my philosophy and something I think about all the time. Every day when I'm in the studio I hear him and I see him. I remember him saying it in class. So that's something that I always want to make sure I have: I'm saying something with the work.
I always felt like I had something to prove, like I had to work twice as hard to make sure I got it. I knew I didn't want to be a good skier. I wanted to be the best.
One thing I always noticed out of Bill Parcells is that he always wanted a good class of blue-collar, hardworking guys that he felt like he could win games with that way... When the difficult times came about he knew who was going to perform.
No. You can't. And I can't do anything either, about my life, to change it, make it better, make me feel better about it. Like it better, make it work. But I can stop it. Shut it down, turn it off like the radio when there's nothing on I want to listen to. It's all I really have that belongs to me and I'm going to say what happens to it. And it's going to stop. And I'm going to stop it. So. Let's just have a good time.
We've always wanted to do it, something you could dance to, and deep down we always thought we could bring something to the table if we could do it, but the live shows always made us pull back and be a rock band.
The main thing I learned is that the more I can forget about being embarrassed when I make something, the more it is going to mean something to somebody else. I can't anticipate what it's going to be or how it's going to be perceived, so the quicker I let go of something I make, the better.
There’s something about seeing an adult you knew in childhood that makes them marginally vulnerable to you, and vice versa. There’s also something comforting in thinking that if they made it this far, relatively unscathed, then maybe you didn’t turn out half bad either.
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