A Quote by Meena Harris

I have a whole quarantine-on-camera look and it's my Harwell Godfrey hoops, my Phenomenal shirt, glasses, and my hair tied up into a bun. If I'm on camera, I'll wear some makeup.
I usually do my hair and makeup in 30 to 45 minutes, and if my hair is dirty, I'll just put it in a bun or a ponytail. If it's in a bun, I'll part it down the middle and do a low bun with a couple pieces in the front coming down.
I don't need a coach to tell me what to say. I need a coach to figure out what kind of shirt to wear and how to look at the camera and how to avoid, you know, picking your nose on camera.
I have never tied my hair in a bun and I rarely wear a bindi.
Once I reported for a dramatic lesson. The coach looked at me and said, 'Amanda, can't you part your hair some other way? It makes you look too much like someone else on the lot.' I rushed home and parted my hair in the middle and have ever since. I even wore it tied up in a big bun in back.
For filming, we have to wear a lot more makeup than we usually would. At night, I have to go home and take off all the makeup and take my hair out from my bun and just get out of the dancewear and everything.
Whenever I am in front of the camera, my hair goes through a lot of harsh styling. But I ensure that my off-camera time is all about letting my hair down, taking it easy and, of course, letting my hair breathe!
The stigma that used to exist many years ago, that actors from film don't do television, seems to have disappeared. That camera doesn't know it's a TV camera... or even a streaming camera. It's just a camera.
Before the days of video village a director should stand right next to the camera, look with his naked eye and if he sees something that is real to him, he'd look up at the [camera] operator and if he gives the look to indicate he'd seen it to, then you print and you'd move on.
Nobody who cooks does it with full hair and makeup in front of a TV camera.
There are women in makeup and hair and wardrobe, but not in camera, not in sound, you know, and not in special effects. It's all men.
When I'm not working, I spend a lot of time on my hair. When it's time for my hair to get some rest, I either wear it in a ponytail, bun or my favorite 'milkmaid' braid.
When I'm not working, I spend a lot of time on my hair. When it's time for my hair to get some rest, I either wear it in a ponytail, bun or my favorite "milkmaid" braid.
All this is expected from girls only - wear makeup and look beautiful. My guy friends don't always have to do their hair and makeup.
In the grand spectrum of things in WWE, you are wrestling for that camera and that camera and that camera - and all the cameras they have - and you have to make things work that way because, through that camera, there's a million people watching.
I think the camera was always my obsession, the camera movements. Because for me it's the most important thing in the move, the camera, because without the camera, film is just a stage or television - nothing.
The camera has a mind of its own--its own point of view. Then the human bearer of time stumbles into the camera's gaze--the camera's domain of pristine space hitherto untraversed is now contaminated by human temporality. Intrusion occurs, but the camera remains transfixed by its object. It doesn't care. The camera has no human fears.
This site uses cookies to ensure you get the best experience. More info...
Got it!