A Quote by Meg Cabot
Because when you love something, you want to do it all the time, even if no one is paying you for it. At least that's how I felt about drawing.
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I am trying to represent design through drawing. I have always drawn things to a high degree of detail. That is not an ideological position I hold on drawing but is rather an expression of my desire to design and by extension to build. This has often been mistaken as a fetish I have for drawing: of drawing for drawing’s sake, for the love of drawing. Never. Never. Yes, I love making a beautiful, well-crafted drawing, but I love it only because of the amount of information a precise drawing provides
Just that sometimes we let other people treat us wrongly because we want to be loved and accepted so badly that we'd do anything for it. It hurts when you know that no matter how much you try, how much you want it, they can't love or accept you as you are. Then you hate all that time you wasted trying to please them and wonder what about you is so awful that they couldn't at least pretend to love you." - Bride
Drawing is more fun to me than writing. I think it's interesting to talk to different cartoonists about how those activities work for them. I'm a very writerly cartoonist. I certainly spend more time on the writing than I do on the drawing, even though the drawing, of course, is very time-consuming.
We just want people to feel something that they've never felt before. Or at least, something they haven't felt since they were little kids.
Even if you're drawing a cartoon and exaggerating, you want to capture something true about the person.
If you want to spend more money in restaurants, use credit cards more than cash. If you want to spend less, use cash more than credit cards. But in general, we can think about how to use the pain of paying and how much of it do we want. And I think we have like a range. Credit cards have very little pain of paying, debit cards have a little bit more because you feel like today, at least it is coming out of your checking account, and cash has much more.
You write an autobiography because you want to tell people how you felt about a certain matter at that time.
And, Joey, if you ever want to know about the japonicas and the daisy fields it will be alright that you have forgotten because I will be able to tell you about how it felt to be feeling that way you cannot quite remember – that will be for the time when something happens years from now that reminds you of now.
I can't tell you how much I love Target and Costco, that kind of culture, because it's something I never felt a part of. I've always felt like a tourist because I have never fit in anywhere.
Even in drama, I like to try to find the humor because I think it's very human. Even in the depths of dreadful situations, there's usually something rather comic, or something you can laugh about afterwards, at least.
I never really felt free to talk a lot about my family life because I don't want to sacrifice anybody else's privacy. If you look through the archives, you will see, for example, no pictures of my children. That is not because I don't love them. I think I've been a really good dad; at least, I try to be.
The key to making sure your credit stays good is paying the bill on time. If you are paying the balance off even if there is something on the card in recent purchases, you are good.
Animation wasn't my love, but drawing was. I loved drawing, and when it came time to graduate from high school, I looked around and it was like, "Wow, I don't really want to study math. I don't really want to study science. I don't really want to study literature. Is there a place where I can go and draw cartoons?"
Whether it's Mrs Dalloway's lost love or Thérèse Raquin's burgeoning horror, The Paying Guests reminds us of every great novel we've gasped or winced at, or loudly urged the protagonists through, and it does not relent. . . . The Paying Guests is the apotheosis of [Waters'] talent; at least for now. I have tried and failed to find a single negative thing to say about it. Her next will probably be even better. Until then, read it, Flaubert, Zola, and weep.
Once they're on paper, they're gone. I like to do as much with the words, as far as image goes, so that it's really left open for a lot of things, even though I remember a specific impression of something I had at the time. I can't say a song is about this or that; in fact, I wouldn't even want to. I just prefer to have people live it anyway they want. Because it's theirs after that. There's nothing I can do about it anymore
And I can't say it now. I can't say what I want to say. I hold you-- I-- I clutch you, because I love you so desperately, and time is so short, we have such a little time in which to live and be young, even at best, and I put my arms around you and hold you because I want to love you while I can and I want to know I'm loving you, only it doesn't mean anything because you aren't afraid. You aren't frightened so that you want to clutch it all while you can.
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