A Quote by Meg Cabot
I thought about telling him the truth: 'Oh, nothing. Just having my soul exorcised so I can roam around purgatory, looking for the ghost of the dead cowboy who used to live in my bedroom.
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You can even get used to having a hole in your life where someone used to live. A hole where you thought they'd live for always, except that one day they just step sideways, without looking back or saying good-bye, and vanish forever.
They gave me the chaps and hat and everything. I looked like a real cowboy. I walked around the rodeo and thought, I am a real cowboy and thought everyone thought I was a real cowboy.
Looking back I didn't even know I was depressed, I was just so used to feeling that way and thought that was what life was. I tried telling my family and friends but they just blow you off and say: 'Yeh right.' They don't know what it is, so they just don't want to be around that.
There is a difference between the Holy Ghost and the gift of the Holy Ghost. Cornelius received the Holy Ghost before he was baptized, which was the convincing power of God unto him of the truth of the Gospel, but he could not receive the gift of the Holy Ghost until after he was baptized. Had he not [been baptized], the Holy Ghost which convinced him of the truth of God, would have left him.
The weirdest request I got was for a picture of me naked with nothing on but my cowboy boots. Needless to say, she went home empty-handed. I have, however, on several occasions, strolled around my apartment in nothing but my cowboy boots. There was just no one there to take pictures.
When Ray Charles is concentrating he's like a piece of granite, nothing twitches, nothing, ... He sat for 25 minutes solid like that, like a stone, and I thought, 'Oh my God, if he doesn't like it I'm dead.' ... And then finally, after 25 minutes he started to talk back to the screen. I heard him say 'That's right. That's the truth.' .
The movie not only about what story you're telling and who you're looking at. It's mostly about how you're telling it and how you're looking at it. And people who don't like it, who say, "Oh, it's not 'true' because you're looking at it in a stylized way" - it's a movie and it's fiction, so it's also a lot in the artistic direction that it is political.
Are you going to tell me what that was about?” Adam asked as we went back upstairs. “Sometime,” I told him. “When we're telling ghost stories around a campfire, and I want to scare you.
I feel the weight of just telling the truth. There really is no weight to telling the truth. It's a little scary sometimes, but if you tell the truth, you don't have to be looking over your shoulder.
All children mythologise their birth. It is a universal trait. You want to know someone? Heart, mind and soul? Ask him to tell you about when he was born. What you get won’t be the truth: it will be a story. And nothing is more telling than a story.
Anil Sethi told me to get into journalism. The thought got into my head, that I could see things, write about them. I used to, anyhow, roam around, observe and describe things I saw.
I'd always thought telling the truth to other people was hard, but maybe that was a snap compared to telling the truth to yourself. Sometimes we just refused to know what we knew.
For I wondered that others, subject to death, did live, since he whom I loved, as if he should never die, was dead; and I wondered yet more that myself, who was to him a second self, could live, he being dead. Well said one of his friend, "Thou half of my soul"; for I felt that my soul and his soul were "one soul in two bodies": and therefore was my life a horror to me, because I would not live halved. And therefore perchance I feared to die, lest he whom I had much loved should die wholly.
And then she frowned, and shook her head, then put her arms around him once more, pressing her face into his shoulder, making a noise that sounded almost like rage. 'What's up?' he asked. 'Nothing. Oh, nothing. Just...' She looked up at him. 'I thought I'd finally got rid of you.' 'I don't think you can.' he said
One of the guys that used to run it - for some reason I've no idea why he used to call me the Sea Monster and I was just looking around for a name and thought that'll do. That lasted for a couple of years probably.
In a sense, I like to think of the live performance as something different than the record, not necessarily looking to exactly recreate the record. Sometimes Matt and I just do duets folk-style. Part of the fun of seeing a live show is having it be different from the way that you hear it in your bedroom or wherever you listen to music.
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