A Quote by Meg Cabot

One of the reasons that I think I do love to write is because I did have a difficult childhood and not so great teenage years. It always helped me escape from my problems. — © Meg Cabot
One of the reasons that I think I do love to write is because I did have a difficult childhood and not so great teenage years. It always helped me escape from my problems.
I was lucky enough to date my first love for five years. We had a very romantic, very dramatic teenage love affair. And it has impacted me because I have married a man who is simply the grownup version of my first love. So, I believe my first love was just preparing me for the man I'm married to today. And it has also impacted the way I write, because there will always be a love story in every movie I write. Always! I think having a positive first love experience before the heartbreak made me a more confident in who I am, a more confident female today.
I think I grew up a bit quickly. I wish I was younger than I am in my head. I feel like an old lady for various reasons. I have a yearning to live out my childhood and teenage years and have a bit more fun than I actually did.
I spent my childhood in an imaginary world - probably because I needed an escape. I think that's one of the reasons people have imaginations - because they can't maintain existence here.
What do prisoners do? Write, of course; even if they have to use blood as ink, as the Marquis de Sade did. The reasons they write, the exquisitely frustrating restrictions of their autonomy and the fact that no one listens to their cries, are all the reasons that mentally ill people, and even many normal people write. We write to escape our prisons.
Comedy helped me out in my teenage years. It saw me through puberty and helped me to deal with dating.
Faced with today's problems and disappointments , many people will try to escape from their responsibility. Escape in selfishness, escape in sexual pleasure, escape in drugs, escape in violence, escape in indifference and cynical attitudes. I propose to you the option of love, which is the opposite of escape.
Melodies and ideas are always on my mind and always coming to me. I'm very thankful for that because if I didn't have whatever that is, that craziness, that openness, maybe, I don't think I'd be able to do what I really love to do, which is write great melodies and at least try to write great melodies.
Everyone just talks about the problems our teenage girls are facing and what they're dealing with. But there was, to me, a void in how they were being served or helped. I thought, 'Wow, I'd love to create something.'
Everyone just talks about the problems our teenage girls are facing and what they're dealing with. But there was, to me, a void in how they were being served or helped. I thought, 'Wow, I'd love to create something.
Through the process of specifically writing this memoir, there was so much reckoning that I had to do. It was very difficult. It doesn't erase anything that happened, but I think that it was healthy for me to do it. The teenage self-loathing that I suffered from all of a sudden found itself turned into rapids with my grief after my brother died. I turned it inwards. In the same way that my mom processes her grief and her problems. This project, as a memoir, has helped me funnel it outwards.
Do you remember what you said to me once? That you could help me only by loving me? Well-you did love me for a moment; and it helped me. It has always helped me.
I think my experience as an actor helps me to write anything. It certainly helped me to write 'August Osage County.' It helps me to write any play that I'm working on because I think one of the things I do well is write good roles for actors.
When I write about my childhood I think, oh my God, how did I ever get from there to here? Not that any great thing has happened to me. But I felt so tiny, so lost.
I did a web series years ago where I helped write a kind of a spoof called 'Young Love.'
People still want to escape, but today's escape is different. People now want to know that there are people out there who have more problems and are a train-wreck! This is why I think it's difficult for sitcoms these days, because people are not going to believe, joke, beat, beat, joke, because there ain't nothing to laugh about.
It's funny: I always, as a high school teacher and particularly as a high school yearbook teacher, because yearbook staffs are 90 percent female, I got to sit in and overhear teenage girl talk for many years. I like teenage girls; I like their drama, their foibles. And I think, 'I'll be good with a teenage daughter!'
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