A Quote by Meg Cabot

I used to draw and illustrate, but I don't do that anymore because I just like to write. I like to leave the illustrations to actual professional illustrators. — © Meg Cabot
I used to draw and illustrate, but I don't do that anymore because I just like to write. I like to leave the illustrations to actual professional illustrators.
The Professional Children's School, it's for professional kids, so if you wanted to ditch, you could just write, Audition on a note and leave. I didn't really like school all that much.
Who doesn't want to draw Batman or Superman? Everyone would like to be able to draw them. I've been really lucky when it comes to the characters that I get to illustrate.
I have friends and illustrators who can't stand drawing on the Cintiq. [A graphic pad tablet used by digital animators] There's a certain tension and friction when you draw on paper that they miss. The tablet is very slick. It's like drawing on glass. But that didn't bother me at all.
I used to write when I was in the mood or felt inspired. Anymore, I write whether I feel inspired or not. It's a discipline. So that's definitely different. It's part of maturing as a person and as a professional.
Like AEW, it kind of feels like they're treating you like a professional athlete, and Lucha Underground is like a lot of TV production stuff. It felt like they treated you like a professional actor. The treatment was just above that for a wrestler.
What is happening to the daughters of the yam? Seem like they just don't know how to draw up the powers from the deep like before. Not full sunned and sweet anymore.
I get to draw what I like to draw, basically people hangin' around, and write very humanistic kinds of situations and characters. But I do also like to draw adventure stories - more in terms of drawing them than writing them - and letting my imagination go wild.
So many writers don't like to write... I like to write, and sometimes I'm afraid I like it too much, because when I get into work, I don't want to leave it. And as a result, I'll go for days and days and days without leaving my house.
I love Inuit art, and most anything you would find in a folk art museum, as well as children's art or children's book illustrators or illustrators in general - all the kinds of work that my paintings would draw comparisons to.
I'm a comic book artist. So I think to myself, what do I like to draw? I like to draw hot chicks, fast cars and cool guys in trench coat. So that's what I write about.
I'm a comic book artist. So I think to myself, what do I like to draw? I like to draw hot chicks, fast cars and cool guys in trench coats. So that's what I write about.
I used to love to write. As a child I used to write all the time. I loved to write up until the second I got my first professional writing job. It turns out it's not that I hate to write. I hate, simply, to work.
For the longest time people were like, 'Oh you play soccer, what else do you do?' Cause they couldn't believe that you could just be women's professional athlete. That's really frustrating because it's almost devaluing your actual skill and ability.
Art is for the elite because it has a very high price-point of entry. And when one is in that social strata, they look down at illustrators because they just draw things directly for a few hundred dollars, and that's seen as being a bit grubby. Galleries allow artists to stay relatively divorced from the financial aspects of their trade.
How can you feel like an actual member of society casting a vote for a president when in a professional interview you said that farts make you laugh? And you're a professional in comedy? But then, have you ever seen a video of a small dog that farts? Welp. I don't need to explain that anymore. If you can't see the humor in that, good luck being a CEO somewhere where I'm not going to understand you. It's a harmless thing to laugh at. It's humor that's not at the expense of someone else. And it's silly. It's juvenile.
I used to write my books at night when I was a freelancer with no children. I used to really work in huge spurts - I could turn around a revision in two weeks, I used to be able to write 10,000 words a day. It's like, 'Wow, what happened to that?' That's just gone.
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