A Quote by Meg Ryan
I don't think I'll ever be a producer who's into taking the meetings and fighting the big fights with studios. I really don't like that part. I'm much more interested in the material.
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Timing is a big part of stunt work and fighting scenes. It's something you learn in WWE, especially when they are really character-driven fights.
A lot of people don't understand my reasoning behind wanting to fight big fights and big names. Knocking off these big names in fights really solidifies me as the best welterweight that's ever done it.
These kinds of fights, these big fights that get everyone talking and interested, these are the fights I want.
The media loves to spend a lot of time talking about itself and do a lot of navel-gazing, which the general public isn't quite that interested in. They aren't really particularly concerned with whether our feelings are hurt or the things that we complain about. They have their own lives and their own jobs that are difficult as well. I think where the media has gotten itself in trouble is the sense that they're much more interested in things like parsing words and getting into fights about little minutia, as opposed to stepping back and seeing what the big picture is.
I love acting. I think that's the best job in the world, but I don't really enjoy the career of it so much. You don't have as much control over your life or the material as you do, well, certainly when you're a director or a producer, so while I love acting, I prefer to make my living as a filmmaker, but my rule on acting is if somebody asks me to do a part, I'll do it.
Anybody in Britain, the big fights. I'm here for the big fights. I don't care about the little fights any more.
I've always relied on a big producer and big studios. I had budgets that were ridiculous.
I think I came up in fighting in a really technical way. If you've ever seen my fights, you know I love distance, I love technique.
An actor like me hardly ever sees a producer. My agent will say, how about Coogan for the part. The producer will say yes. So you never see the producer.
Working with David Cronenberg or Darren Aronofsky or even Steven Soderbergh isn't really like a typical Hollywood movie. These are true artists, and have a certain amount of freedom when they work, and they're more like independent filmmakers making their way through big studios. I still don't feel like I've been part of the stereotypical Hollywood system.
Part of the problem with Occupy Wall Street was that folks were never really clear on what they were fighting for. If you don't know what you're fighting for, how do you know when you've got victory? In some ways, new media makes it easier for people to connect. It's hard, though, because we're much more seduced by the Internet, by big-screen TVs, by cell phones that can do everything.
I'm only really interested in taking a part if it's nothing like me.
I think we are seeing a radical shift in the business in general. The studios are making much more of the real big extravaganzas and there are other kinds of films that are coming out. I think you are going to begin to see more diversification that we've seen in the past.
He puts on a great show every time he fights, so I enjoy seeing Mark Hunt fighting, and I'm glad he's still fighting; he's 44 and still fighting in a high performance, so it's good to see someone like this always putting on a great show and giving us, MMA fans, these great fights.
With a television show, it's about fighting to get it on the screen every week. It's like going into battle, and you have to fight these fights. Some are big fights, some are skirmishes, some you can come to detente on, but it's always a fight.
It's just hard. I wish the studios felt there was more value in these themes and these pieces of material - that they're worth protecting more. Because then it just wouldn't happen. If the studios cared, the stuff would be stopped in a second.
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