A Quote by Meg Wolitzer

After a certain age, you felt a need not to be alone. It grew stronger, like a radio frequency, until finally it was so powerful that you were forced to do something about it.
Growing up in Texas, I was already dealing with the fact that I didn't even know I was Asian until a certain age. I just was informed about it in a somewhat negative way by my peers. And that immediately put me into that mindset where I felt very othered. My safety always felt like it wasn't something that I could consider a given.
You are not alone with a guy until you are a proper age. You don't go to certain levels with men until you are married or you have a certain relationship.
And I saw it didn't matter who had loved me or who I loved. I was alone. The black oily asphalt, the slick beauty of the Iranian attendant, the thickening clouds--nothing was mine. And I understood finally, after a semester of philosophy, a thousand books of poetry, after death and childbirth and the startled cries of men who called out my name as they entered me, I finally believed I was alone, felt it in my actual, visceral heart, heard it echo like a thin bell.
[My mother] was the oldest of two sisters and two brothers, and she grew up with her brothers, who were about her age. She grew up, to the age of ten, like a wild colt, and then all of a sudden that was over. They had forced on her her 'woman's destiny' by saying, 'This isn't done, this isn't good, this isn't worthy of a lady.'
Listen- my relationship with radio on a personal level is nothing but a one way love-a-thon... I love radio, I grew up on radio. That's where I heard Buddy Holly, that's where I heard Chuck Berry. I couldn't believe it the first time I heard one of my records on the radio, and I STILL love hearing anything I'm involved with on radio, and some of my best friends were from radio. But we were on different sides of that argument, there's no question about that.
I think I have femininity, I have masculinity, but I get to use all of Jeffrey, and that's very powerful. And this is what I always thought when I went down in my little basement in San Francisco, where I grew up, and daydreamed about being an actor: It felt like this. This is what it felt like.
At the age of 50, I did "Celebrity Fit Club" and I had to get on a scale and be weighed in front of everyone. I felt like I was naked and for the first time, there was nowhere to hide. I felt like I could finally be myself. It was really cathartic, and I realized I could share my mistakes. I could tell my story and not be ashamed, and show others with these same problems that they aren't alone.
The truth is that from the age of 14, I felt about 40, and for that reason, I felt that I would never succeed as an actor until my looks caught up with my actual age.
It wasn't until I stopped worrying about my own validation and finally refocused my energy on things I could actually change that I finally grew as a person and as a professional.
I myself grew up when radio was very important. I'd come home from school and turn on the radio. There were funny comedians and wonderful music, and there were plays. I used to pass time with radio.
In order to be able to make and keep commitments... to enduring, intimate relationships... you need to be a certain kind of person. You need to be a powerful person. Powerful people take responsibility for their lives and choices. Powerful people choose who they want to be with, what they are going to pursue in life, and how they are going to go after it.
We had a moment in the '40s and '50s, where female characters were very strong in film, where these incredible roles were written for women like Joan Crawford, like Bette Davis. But then there was a space of time where - I don't know why - it wasn't like that. It became difficult for women to find certain roles after a certain age.
To be honest, the search for a label was really weird, because some of the labels that you wouldn't expect to care about stuff like radio formats were the ones that did care. They were like, 'Yeah, we love this record, but what are we going to play on the radio?' And I was like, 'You don't have bands on the radio.'
I remember when we were mixing our record and our manager was in there going, 'You guys need to sing more, so it can be on the radio.' And we were like 'What? We're never going to get played on the radio. Who cares? What are you talking about?'
Some people find it easier to picture the stream of inspiration as being like radio waves of all sorts being broadcast at all times. With practice, we learn to hear the desired frequency on request. We tune in to the frequency we want.
I grew up in the age of radio. That was my main boyhood form of entertainment: lying on the living room floor with my ears affixed to the radio. I loved shows like 'The Phantom,' 'Cisco Kid,' and even 'Happy Theater' when I was younger.
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