A Quote by Meg Wolitzer
Novels can be a snapshot of a moment in time, or several moments in time, and as a reader, that's what I really like, and as a writer, it's what I'm drawn to also.
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It is often said that we are just a moment in time! In that case, here is the best challenge for man: To change this! To be two moments in time; three moments in time; four moments in time; to be in the whole of the time!
I think the trick of being a writer is to basically put your cards out there all the time and be willing to be as in the dark about what happens next as your reader would be at that time. And then you can really surprise yourself. There's that cliche, "No surprise for the writer, no surprise for the reader!"
There is nothing harder to estimate than a writer's time, nothing harder to keep track of. There are moments—moments of sustained creation—when his time is fairly valuable; and there are hours and hours when a writer's time isn't worth the paper he is not writing anything on.
On a more technical level, a story takes a lot of words. And to generate words and phrases and images and so on, that will compel the reader to continue reading - that stand a chance of really grabbing a reader - the writer has to work out of a place of, let's say, familiarity and affection. The matrix of the story has to be made out of stuff the writer really knows about and likes. The writer can't be stretching and (purely) inventing all the time. Well, I can't, anyway.
Before you can become a writer, you have to be a reader, and a reader of everything, at that. To the best of my recollection, I became a reader at the age of 10 and have never stopped. Like many authors, I read all sorts of books all the time, and it is amazing how the mind fills up.
That underscored this idea that when we're reading a book or writing a book, you're in an act of co-creation. The reader and the writer are both trying to dress up and present their best selves and then there's that moment, when suddenly, as a reader, you're not exactly you anymore, and likewise, as a writer, you're not really you.
And now the moment. Such a moment has a peculiar character. It is brief and temporal indeed, like every moment; it is transient as all moments are; it is past, like every moment in the next moment. And yet it is decisive, and filled with the eternal. Such a moment ought to have a distinctive name; let us call it the Fullness of Time.
No, every album is something like a snapshot. It only shows one moment in time. It shows what we feel and think right at that point in time, nothing more and nothing less
No, every album is something like a snapshot. It only shows one moment in time. It shows what we feel and think right at that point in time, nothing more and nothing less.
I think life is full of moments. And it's important to remember those moments. Take a mental snapshot if you can. For me, they are either when I feel truly happy or a standout moment in my career.
Novels are my favorite to write and read. I do like writing personal essays, too. I'm not really a short story writer, nor do I tend to gravitate to them as a reader.
Well, you know, it's been interesting because an album is just a snapshot of where you are at that time. Not all pictures of everybody are just in jeans and a 'T' shirt, or a ball gown. You have many different sides and this is a snapshot of where you are at that time.
I think a writer's first job is to entertain, even in novels: to tell a compelling story that pulls the reader along toward an end. At the same time, the best stories are character-driven.
Insight doesn't happen often on the click of the moment, like a lucky snapshot, but comes in its own time and more slowly and from nowhere but within.
In polite society, there is such a thing as sensitivity to some issues, as time has gone on. There was a time when we weren't politically correct, at all, and we all wince at moments when we look to the past and see that. I don't really know what the answer is, as far as that is concerned. However, me, as an artist, I don't really think about it, at all. It actually is not my job to think about that, especially in terms of me, as a writer, but also as a filmmaker. I'm not worried about the filmmaking part because, if I'm writing it, that's what I'm going to do.
That is as true for fiction or non-fiction. The writer has to really know their subject. It is really important to remember that the readers are a lot smarter than the writer. Also, good writing has to do with rewriting. You will never get it right the first time. So you rewrite and rewrite again until you get it right. Until you, and the reader, will be able to visualize what you're writing about.
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