A Quote by Meg Wolitzer
I think everyone is always measuring themselves against other people to a certain degree; it happens automatically, and it's hard not to be this way at least some of the time.
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Conservatism, I believe, happens to be what happens when people behave according to a certain moral code, a certain sense of right and wrong, people that are accepting responsibility for themselves. Conservatism is what happens when you're a good citizen.
Money is not a part of the visible sector of the economy; people do not consume money. Money is not a physical factor of production, but rather a yardstick for measuring economic input, economic outtake and the relative values of the real goods and services of the economic world. Money provides a method of measuring obligations, rights, powers and privileges. It provides a means whereby certain individuals can accumulate claims against others, or against the economy as a whole, or against many economies.
People get the wrong idea. They think because somebody's visible and works to a degree in some kind of consistent way, they just have a pile of choices. And that's not necessarily true. You can always choose not to audition and see what happens. Sometimes that's a benefit. But most things that I do, I meet on, especially films.
I think we're all sensitive; everyone has a certain way about themselves that people don't like to let their emotions out too often. I think people tend to suppress them and hold them in, so I think there's a bit of that in me.
It's important for people to, instead of automatically assuming everything the opposite side says is incorrect, you have to at least listen and see why someone might feel a certain way.
People are tied together and yet isolated from each other by invisible threads of rhythm and hidden walls of time. Time is... a primary organizer of all activities, a synthesizer and integrator, a way of handling priorities and categorizing experience, a feedback mechanism for how things are going, a measuring rod against which competence, effort, and achievement are judged as well as a special message system revealing how people really feel about each other and whether or not they can get along.
Because I am a bad girl, people always automatically think that I am a bad girl. Or that I carry a dark secret with me or that I'm obsessed with death. The truth is that I am probably the least morbid person one can meet. If I think more about death than some other people, it is probably because I love life more than they do.
I never have a thematic intention at the outset. The story informs the theme for me rather than the other way around. But as it happens... this is, at least to a degree, about getting old and the rapid passage of our lives.
When people ask me about modeling, what it was like, I say, "It was fabulous!" If you can use it in the right way - to travel to meet other people, to learn how to dress, to make some money - I think it's great. But I also think it takes girls. If they don't know how to handle themselves, or if they do it just for a little time and are not successful, then they get terribly depressed about themselves.
'What do you really think happens after you die?' That's the question that everyone, everyone, everyone asks. And I'm so sick of it. But my true answer is, I don't know. And there's no way I'm going to find out 'til it happens.
We're all products of what we want to project to the world. Even people who don't spend any time, or think they don't, on preparing themselves for the world out there - I think that ultimately they have for their whole lives groomed themselves to be a certain way, to present a face to the world.
I think everyone remembers how certain Russian bureaucrats used to work against the Ukrainian opposition; I think it is hard to drop old habits.
I suppose a certain degree of adulthood has entered my life. Aiming for Broadway, I can't think that way any more. Of course, Broadway will always be important. But it's not the focus of everything that you do. You know, I'm very happy I was born when I was, so I got there in time. When it was time to get there.
Much of what happens in Love Always is really from overheard conversations in the Russian Tea Room. It's an improvisation of the way certain Hollywood agents think and talk to each other.
A lot of people put pressure on themselves and think it will be way too hard for them to live out their dreams. Mentors are there to say, 'Look, it's not that tough. It's not as hard as you think. Here are some guidelines and things I have gone through to get to where I am in my career.'
On a certain level, I don't think there is an answer to what the American way is, because it is constantly being re-defined. It's also been exploited and capitalized upon and politicized by one side or the other to the point that a certain degree of cynicism has attached itself to that term.
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