A Quote by Megan Abbott

I'm always fascinated by how different writers' rooms work. — © Megan Abbott
I'm always fascinated by how different writers' rooms work.
Real writers - serious writers with serious subjects, who earn their living at it - all seem to write in small rooms with that knotty-pine 1974 look on the top-floor rear of their houses. Rooms with views.
To be truthful, some writers stop you dead in your tracks by making you see your own work in the most unflattering light. Each of us will meet a different harbinger of personal failure, some innocent genius chosen by us for reasons having to do with what we see as our own inadequacies. The only remedy to this I have found is to read a writer whose work is entirely different from another, though not necessarily more like your own—a difference that will remind you of how many rooms there are in the house of art.
There have been days where I've had two writers' rooms or three writers' rooms going, and you walk back and forth. And then you sort of throw yourself on the sofa, and you go, 'Just talk at me for, like, 20 minutes,' and my brain will catch up with this particular story. But I find that exciting.
I've always been fascinated with marine geography and how deep things are. I was spellbound by the tsunami, for example, by the actual maps. There is just something about the unseen bottom of the sea that has always fascinated me, how deep is it.
I've always been fascinated with how transportation systems work and how cities are designed.
I've always been fascinated by intelligence and how our brains work, and how they can be improved.
I'm always talking to the writers because I find it so fascinating, how they're able to go to these different levels with the different stories, and have all these layers to peel back.
I was always fascinated by how things work and learning about them.
What I do, basically, is look at things from different angles. That is what I do on stage comedically, and that is what I do in art. I was always fascinated by the structure of things, why things work this way and not that way. So I like to see how things behave if you change the point of view.
My friends tend to be writers. I think writers and painters are really all the same-we just sit in our rooms.
How I envy writers who can work on aeroplanes or in hotel rooms. On the run I can produce an article or a book review, or even a film script, but for fiction I must have my own desk, my own wall with my own postcards pinned to it, and my own window not to look out of.
I've always said I'm more influenced in what I do by artists, and how they work, how they think, and the freedom they're given to work and think, than I really am by other writers.
I made the decision that I didn't want to spend my life in rooms and write about rooms, or else make books that are researched constructs. I think you do have to get out there and live it. Thriller and genre writers seem to understand this.
Because I work in television, I always knew that I loved working with writers. It's very collaborative. You're always in a room full of writers.
I always have the feeling that my subjects are the same - I'm just changing my point of view. I'm going to move a little bit this time and watch it a different way. But at the end, I think I'm always fascinated by the same things, except I will express them over and over again, with different words, with different colors, with different shapes. But strangely it will always be the same topics or subjects that are so important to me.
I'm fascinated by the magic realism used by many writers. I think it goes hand-in-hand with the Indian experience. It's a very different way of viewing the world.
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