A Quote by Megan Abbott

I think we writers are very superstitious. We don't know why it's working when it's working, so we attach cause and effect. — © Megan Abbott
I think we writers are very superstitious. We don't know why it's working when it's working, so we attach cause and effect.
This is my work ethic: I do not want to raise my future kids where I was raised, and I know the only way to do it is working, working, working, working, working.
Voice work is fun. But about three-quarters of the things you enjoy about acting are just not there. You're not working with another actor; you're not working with an audience. You're just working with a bunch of writers and a microphone. It's very abstract.
I think I know I've been working very hard for the family business, sometimes those days are long days and I think if I know I'm working hard and pulling my weight, both working and playing hard at the same time, I think everyone who I work with can see I am there pulling my weight.
You already feel unsure of yourself, and then you see your worst fears in print. It really knocked me - which is why, I think, I was working, working, working, because I was trying to run away from the fact that I thought I couldn't do it.
I spent 80% of my time working on this, and 20% of my time working on music. Why do you think the song 'Niggas in Paris' is called 'Niggas in Paris?' 'Cause niggas was in Paris!
It's very easy to fool yourself that you're working, you know, when you're really not working very hard. I mean, I'm very lazy. So for me, I would always have an excuse, you know, to go - quit early, go to a museum, you know. So I do everything I can to make myself remember this is a job. I keep a schedule.
My education - my Ph.D. in storytelling - comes from having worked on it, being a lover of film and watching them, from working with some great writers and some very good TV directors and then working with some who weren't.
There are professional negotiators working for the writers and the actors, but basically you've got the writers and actors negotiating against businessmen. That's why you get rhetoric.
Don't buy society’s definition of success. Because it’s not working for anyone. It’s not working for women, it's not working for men, it's not working for polar bears, it's not working for the cicadas that are apparently about to emerge and swarm us. It’s only truly working for those who make pharmaceuticals for stress, sleeplessness and high blood pressure.
Writers can get very angry when an actor says, "I don't know, I don't feel very comfortable with this line." Sometimes though, you're working with a writer for whom that is simply not apt - like Harold Pinter.
I just love working with actors, and I love working with writers, working with designers.
I love working with Prada, I would do it all the time if I could. Working with them is like working on a film: it is very collaborative.
One of the reasons I chose to come to Liverpool was because of the mentality of the club. It's a working club and a working city. I don't know why, but I feel like one of the people here. They recognise me and wish me luck, but in Spain, they surround you and you can't do anything. I think they're happy with me here.
One of the reasons I chose to come to Liverpool was because of the mentality of the club. It's a working club and a working city. I don't know why but I feel like one of the people here. They recognise me and wish me luck but in Spain they surround you and you can't do anything. I think they're happy with me here.
As the cause is, so the effect will be Cause is never different from effect, the effect is but the cause reproduced in another form.
I really need to work. People think that I'm no longer interested in acting and only interested in working with the animals. Obviously I have given that impression, but it is not how I feel. I think I'm a good actor. I think I look OK. I don't understand why I'm not working all the time.
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