A Quote by Megan Chance

Thematically, we're both [with Kristin Hannah ] interested in women's experiences and women's stories, and until now, you've mostly dealt with how it feels to be a wife/mother/sister/name your poison in today's world. But this story [The Nightingale ] is told from the perspective of two sisters during the German occupation of France in WWII.
I have to admit that WWII France was not at all on my radar for Kristin Hannah.
I don't think that there's a target audience at all. These stories were in circulation. The stories were told by men, told in the marketplace by men, but also behind doors by women, but there's no real record of this. It's likely they were told by women to children in their interior rooms. The story could be a negative story, they could be presented as a, "Watch out! Women will get round you, do things to you, weave you in their toils." It could be buried in it an old cautionary story about women and their wiles.
I was raised primarily by women. I had a mother who almost killed herself to survive, I had a sister who was eight years older who was like a second mother, and my mother had two sisters. In the environment I grew up in, I heard a lot of female perspectives.
Never praise a sister to a sister, in the hope of your compliments reaching the proper ears, and so preparing the way for you later on. Sisters are women first, and sisters afterwards; and you will find that you do yourself harm.
I bring the experiences of women. As a daughter, as a mother, as a wife, as a sister. That is who I am. Those experiences are part of me. And it is part of our American journey that we have moved through so much of what used to hold people back because of gender, because of race.
We have to start looking at the world through women's eyes' how are human rights, peace and development defined from the perspective of the lives of women? It's also important to look at the world from the perspective of the lives of diverse women, because there is not single women's view, any more than there is a single men's view.
Andrée De Jongh story led me to other stories of women who joined the Resistance in France. I found literally dozens of memoirs written by women who had become spies and couriers and helped to create the escape network. These women were like action-star heroes.
I think of some of my friends who have passed to the spirit world but are who here with me when I go to events and when I walk in my own community. My sisters, Ingred, my sister Marsha, and my sister Nielock. All cofounders of the Indigenous Women's Network with me. All long time women activists in the native community.
There are women (some men, too, but mostly women) who are going to the occupied Palestinian territories to stand with the victims of Israeli occupation. These are very courageous Israeli women and some British and American women. That's something quite new.
The French need a thrashing. If the Prussians win, the centralization of state power will be useful for the centralization of the German working class. German predominance would also transfer the center of gravity of the workers' movement in Western Europe from France to Germany, and one has only to compare the movement in the two countries from 1866 until now to see that the German working class is superior to the French both theoretically and organizationally.
Work hard and find stories you want to tell from your heart. The great thing for women is that there are so many stories which haven't been told from our perspective and there is a huge audience just waiting to watch it.
We had early on women having the right to vote, then women in the workforce during WWII, just going back in history, and then we had the higher education of women, and then women more fully participating in the economy and in business, the professions, education, you name the subject... but the missing link has always been: is there quality, affordable healthcare for all women, regardless of what their family situation might be?
At the beginning of my career, a more senior photographer told me to shoot stories on women and I didn't want to. But I spent two and a half years in India and chose to do stories about women because I was shocked by their treatment. My stories in the Middle East and on the border of Europe and Asia were a response to my time in India. They weren't driven by a feminist idea but when you're moved by women's issues in these countries you can't help becoming a feminist somehow.
Marjan. I have told him tales of good women and bad women, strong women and weak women, shy women and bold women, clever women and stupid women, honest women and women who betray. I'm hoping that, by living inside their skins while he hears their stories, he'll understand over time that women are not all this way or that way. I'm hoping he'll look at women as he does at men-that you must judge each of us on her own merits, and not condemn us or exalt us only because we belong to a particular sex.
There are a million ideas in a world of stories. Humans are storytelling animals. Everything's a story, everyone's got stories, we're perceiving stories, we're interested in stories. So to me, the big nut to crack is to how to tell a story, what's the right way to tell a particular story.
For years and years, I convinced myself that I was unbreakable, an animal with an animal strength or something not human at all. Me, I told people, I take damage like a wall, a brick wall that never falls down, never feels anything, never flinches or remembers. I am one woman but I carry in my body all the stories I have ever been told, women I have known, women who have taken damage until they tell themselves they can feel no pain at all.
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