The goal is always about the next story. It's always about the thing I haven't done before. It's about learning, or it's about becoming better, and it's about whatever story grabs hold of me.
No doubt, intuitions deserve respect. ...[but] I think that it is always up for grabs what an intuition is an intuition of. At a minimum, it is surely sometimes up for grabs.
We live in an extraordinary time, in which one still has the ability to mold opinion. Also, it's up for grabs. Perceptions are up for grabs in a way that it hasn't been before, which makes it really interesting. Societies that have always defined other aspects of human experience, or histories, try to hold on to it and try to find ways to continue to be the ones who do the interpreting.
Obviously, I love to do both contemporary and historical fiction. When a hint of a story grabs me, I try to go with it to see where it will take me whatever the setting.
He made a story for all of them, a story to give them strength. The words of the story poured out of his mouth as if they had substance, pebbles and stone extending to hold the corporal up...knees from buckling...hands from letting go of the blanket.
The short story can't really hold an interesting event. It can't hold a death or a war or a loss of great magnitude the way either a long story or a novel can.
…I go through a story for lies. I might discover the lie of trying to show off. Sometimes they’re lies of character. Sometimes they are lies of writing the most beautiful sentence in the world that has nothing to do with the story.
You just want to find a story that grabs you and that you've never seen before, but somehow you can't imagine it not existing. It's like a good book. What makes a good book is hard to say. I don't know. I just look for something that grabs me. I don't have a way of looking for a project, and I don't know many people that do. It's just year to year, and what's going around and what's there.
I think there are sometimes issues with - no matter where you put a conference, there's always going to be constraints on that. For example, sometimes students studying in the U.S. have trouble leaving the U.S. to go to a conference. So if you hold it outside the U.S. in a particular place, that sometimes creates complications.
When there is a strong woman character in a story - that always grabs me
When there is a strong woman character in a story - that always grabs me.
The hold on power always ends. While death will surely break it, someone else usually grabs it before then.
You see, when I go on stage I perform with just a guitar and you have to have very strong material to hold an audience from getting bored or restless. One strong way of doing that is the story because everybody will listen to a story.
Sometimes you know the story. Sometimes you make it up as you go along and have no idea how it will come out.
Stories are people. I'm a story, you're a story ... your father is a story. Our stories go in every direction, but sometimes, if we're lucky, our stories join into one, and for a while, we're less alone.
I prefer to surprise myself as I'm writing. I'm not interested in it if I already know where it's going. So I have only the most general sense of what I'm doing when I start a story. I sometimes have a destination in mind, but how the story is going to go from Point A to Point Z is something I make up as I go along.