A Quote by Megan Follows

My parents were working performers, so obviously I saw that there wasn't a lot of fairy tale going on there. It was a precarious world. One that they were deeply committed to and deeply loved, but one that required a lot of hard work.
Television and movies were our biggest teachers. When we came to the United States, the Vietnam War was just ratcheting up. And so the Asian faces that I saw on the news, they were the face of the enemy. Asian men, particularly, were either small, ineffective, or they were evil. And those messages were deeply, deeply embedded in me for many years.
Martin Luther King would celebrate the symbolic status (of having a black president), but he would examine what the real substance was. And if he saw that poor and working people were not at the center of public policy, he would be deeply, deeply upset.
When I find those actors who are going to work that hard and collaborate that deeply, my role is to make sure there's a whole lot there for them to work with.
Fairy tales were not my escape from reality as a child; rather, they were my reality -- for mine was a world in which good and evil were not abstract concepts, and like fairy-tale heroines, no magic would save me unless I had the wit and heart and courage to use it widely.
A lot of my family members were performers, and my cousins are comedians and actresses. From a very young age, movies were really important. They were given a lot of value.
I wrote a lot of scripts that were dark and fairy tale-like, but too strange.
My models were oral, were storytellers. Like my grandmothers and my aunts. It's true, a lot of people in my life were not literate in a formal sense, but they were storytellers. So I had this experience of just watching somebody spin a tale off the top of her head. I loved that.
I suppose I always find a lot of characters that are deeply, deeply keening with a sense of yearning and desire through sadness, but they have a bravery that keeps them going despite that.
My parents were serious working musicians, but they were not stars - not like pop stars that you have now. They had to make a living and that meant touring, working hard, going on the road - and we were roped in.
My parents deeply and truly loved each other, and if my mother hadn't died they would have been together forever. They were together for as much of forever as was given to them. They really loved my brother and me and were very good to us. It gave the model of how to have a happy marriage and family, but it also set the bar very high.
After my film 'The Tale of Two Sisters,' I received a lot of offers from Hollywood to direct, but because 'A Tale of Two Sisters' was a horror film, I received a lot of horror films. But I wasn't interested in working in the same genre, and the scripts I received for films in different genres were for projects that were near completion.
We are not terrorists. We're not criminals, we're not motivated by money, we're not motivated by greed. Nor are we simply nice kids gone wrong. We're deeply committed to a different kind of society and a different world. I think that is something very hard to understand for a lot of people.
I saw a lot of operas from backstage and watched a lot of rehearsals - my parents were singers.
In 2010 there were a lot of folks who were still out of work. There were a lot of folks who had lost their homes or saw their home values plummet, their 401k's plummet.
As long as you keep one foot in the real world while the other foot's in a fairy tale, that fairy tale is going to seem kind of attainable.
When I was a kid, a lot of my parents' friends were in the music business. In the late '60s and early '70s - all the way through the '70s, actually - a lot of the bands that were around had kids at a very young age. So they were all working on that concept way early on. And I figured if they can do it, I could do it, too.
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