A Quote by Megan Fox
I'm just really confident sexually, and I think that sort of oozes out of my pores. It's just there. It's something I don't have to turn on.
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I just loved the coolness of [Sean] Connery's Bond. He just sort of oozes cool.
Are men intimated by sexually confident women, you ask? I think men are intimated by any woman who says they are sexually confident, at no matter what age.
I felt like for it to really turn into something, you have to jump in with both feet. And it always turns out a little different than you imagined it, but that's kind of the beauty of it, when you feel musically confident enough to just kind of follow where it goes.
When I think of a bombshell, I immediately think of Bridget Bardot. She's a woman who is so secure and just oozes sexy. Whether you are super feminine or more into that boyish style, you just own your look.
I feel when acting, I am sometimes overly self-conscious; I think, 'Going, no, don't, put your eyebrow back where it was and, you know, turn to the left.' You know, I'm sort of very consciously adopting this character. But with music, I don't know. I found it was a question of just closing my eyes and just sort of letting things come out.
A lot of times when I'm confident and relaxed on the court, I'm going to be a pretty tough out. But when I'm not so confident and not so relaxed, I tense up and my balls fall short and everything. It just sort of unravels.
When you're home or you're working, your mind just isn't allowed to just roll on like it does when you're watching the scenery go by. You're hurdling through space but you're not really moving. ...It's that dreaminess, that ability to just get dreamy while you're looking out the window and you see something...and it makes you think of something else, and all of a sudden the words are just flowing out of you.
Every time I get sexually harassed, I'm supposed to turn around and yell at the person, but there are safety issues. Sometimes the best thing you can do it just walk right past that person and have a great day. But sometimes you feel like you really need to say something.
It only seems jarring when you look back on the work I've done. I think if you had to map that out at the beginning and you said, "Right, sit down, this is what you're going to be doing," you'd probably freak out. But I'm someone who really enjoys not being himself. So if you consider that, then it all sort of makes sense. And I just think that's the job of an actor. I guess that's the variation that you're talking about. It's probably a byproduct of just constantly looking for something different, because that's what I feel like I'm supposed to do.
For me, music is sort of my passion, more so than being an actor. I just never tried to make a career as a musician. It was just something that I did on my own time, just for me. I had written a lot of songs, but I don't really record a lot of music because, for me, it's the same way as a poet: I write to get things out. It's sort of cathartic.
As a young woman, I just think there's something really confident and empowering about being able to flirt back.
I don't know why, but at the end of games, for some reason, I just get more confident. I just think it's natural. I think it's something I've embraced from a young age.
All I know is that I've wasted all these years looking for something, a sort of trophy I'd get only if I really, really did enough to deserve it. But I don't want it anymore, I want something else now, something warm and sheltering, something I can turn to, regardless of what I do, regardless of who I become. Something that will just be there, always, like tomorrow's sky. That's what I want now, and I think it's what you should want too. But it will be too late soon. We'll become too set to change. If we don't take our chance now, another may never come for either of us.
Kristin Gwynne has been writing some great stuff about the sexually violent element of "stop-and-frisk." This isn't just "turn out your pockets." This is young people being groped. That form of power - using sexuality for power and control - seems pretty straightforward to me. When are we going to just say that the cops are the enemy here?
When I started that's how I wrote because I didn't know any better. I was just like "I want to make music." Then there were all these things that I learned to get myself over certain humps, but I think it just comes down to: do I have something to say or not? If I'm feeling something I should try to get that out, and maybe it's not words, but trying to turn it into something.
It's sort of a feeling of power onstage. It's really the ability to make people smile, or just to turn them one way or another for that duration of time, and for it to have some effect later on. I don't really think it's power... it's the goodness.
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