A Quote by Megan Fox

Every time I leave the house or we go anywhere, there is a paranoia. We always have to watch for specific cars and specific signs that we're being photographed. — © Megan Fox
Every time I leave the house or we go anywhere, there is a paranoia. We always have to watch for specific cars and specific signs that we're being photographed.
What a photograph shows us is how a particular thing could be seen, or could be made to look - at a specific moment, in a specific context, by a specific photographer employing specific tools.
Every day is still exciting. I have like a very good system worked out with my editor. Some directors are in there every day, sitting there in the room with the editor. I lose perspective incredibly quickly, and so what I do is I watch...I come in the room and give very specific notes and then I go back to my house or in my office and I watch the dailies.
In avoiding specific goals he had avoided specific limitations. For the time being the world, life itself, could be his chosen field.
I like movies that are specific. Movies that home in on a very specific subculture, a specific discipline, a specific world.
I have a specific set of, I have a specific sort of negative energies to deal with that might be specific to me, but it definitely something that all artists have to deal with at one point or another. But I think for me, it's just maybe more specific.
I am not very regimented unless I have to be. I wish I was someone that could just write every day, but I tend to work on specific projects for a specific period of time and then stop.
I wanted to say something different: the pictures are also a leave-taking, in several respects. Factually: these specific persons are dead; as a general statement, death is leave-taking. And then ideologically: a leave-taking from a specific doctrine of salvation and, beyond that, from the illusion that unacceptable circumstances of life can be changed by this conventional expedient of violent struggle.
I think I'm always conscious of not letting things fit into a specific box. Being a filmmaker and trying to chart a career, you never want anyone to be able to pigeonhole you into one specific thing.
With 'Mask,' 'Smooth Talk' and 'Blue Velvet,' I loved the specific experiences so much. Each one was a specific filmmaker with a specific vision.
A movie as specific as 'Heathers,' which took place in a specific time and specific place and in which many of the characters got killed off, I never thought it made sense to see a sequel.
I don't think being a good James Bond girl has to do with nationality. I think it has to do with a specific person at a certain time being right for the specific needs of a given script. It has to do with talent and personality, regardless of nationality.
It was a long time before I understood what the word 'specific' was. I remember being a kid and thinking it was 'pacific,' and being like, 'Can you be more pacific?' And I believed that for maybe five, six years until someone was like, 'It's 'specific.''
The step between prudence and paranoia is short and steep. Prudence wears a seat belt. Paranoia avoids cars. Prudence washes with soap. Paranoia avoids human contact. Prudence saves for old age. Paranoia hoards even trash. Prudence prepares and plans, paranoia panics. Prudence calculates the risk and takes the plunge. Paranoia never enters the water.
I've always said this: I've never seen a Michelin three-starred restaurant that was a buffet. They usually serve à la carte. I do think the delivery of a specific service, a specific advice for a specific reason, is the way you get the equivalent of a Michelin three-starred relationship.
And I don't have any specific steps to take because I don't start the same way every time. But there is a knowing when it's enough and you can leave it alone.
Every market we go to, we have a domain-specific language. Every domain-specific language, underneath, has an architecture.
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