A Quote by Megan Hilty

[Composers] Mark [Shaiman] and Scott [Wittman] are unreal. — © Megan Hilty
[Composers] Mark [Shaiman] and Scott [Wittman] are unreal.
Oh, and Scott, get Mark to play me. He's the most talented one anyway.
I've got a collection of songs that I've had, I keep adding to and they're all great American composers. I wanted to showcase American composers and I've done that on a lot of my records and played things by American composers that I really respect.
To be secure everywhere is the mark of sophistication, to be unshakable is the mark of courage, to be permanently in love with every person is the mark of masculinity or femininity, to forgive is the mark of strength, to govern our senses and passions is the mark of freedom.
Scott Eastwood always came in and did a good job. And he's now graduated to better roles, and the chicks are all calling and asking where Scott is. They used to ask where I was. Now they're going, "What about Scott?"
It's interesting that some people reading the comics see Scott Pilgrim as a blank slate in that they like to imagine themselves as Scott Pilgrim, so it's interesting that there are two kind of schools of thought about the character. One is, like, Scott Pilgrim is awesome. The second is Scott Pilgrim believes himself to be awesome.
They don't make them like Trevor Wittman anymore.
Since the past is unreal and the future is unreal, all your thoughts are about nothing.
Composers dialogue - and obsessively, bitterly argue - with other composers, often over the span of several centuries.
Communists love to make films about composers because composers compose music and don't talk subversive things.
Communists love to make films about composers, because composers compose music and don't talk subversive things.
I hardly need to abstract things, for each object is unreal enough already, so unreal that I can only make it real by means of painting.
Composers can do things that weren't allowed in the 17th century. Until we had composers like Igor Stravinsky and Sergei Rachmaninoff to break the rules.
For me, I was really struggling because I was Scott Hall in the gym and Scott Hall in the grocery store and in the ring. Until I got a gimmick, a look, and got to be a character, that's when I started making strides. As Scott Hall, I didn't have a gimmick, so I didn't know what to do.
I think that live shows are more important for singers than composers, because composers still get a lot of recognition as compared to a singer.
I grew up loving Ridley Scott and Tony Scott and Michael Bay and Adrian Lyne.
Scott Aukerman and Judd Apatow are two people who I owe a lot to, and it's always great to work with Scott whenever I can.
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