A Quote by Megan Hilty

I've been very lucky to work with a lot of amazingly supportive directors. — © Megan Hilty
I've been very lucky to work with a lot of amazingly supportive directors.
Pedro's Almodovar different - very unique, very particular and difficult to compare to anyone else. But I've been lucky with many of the people that I've worked with. I think I've been very lucky with great opportunities - directors like Stephen Frears, Cameron Crowe and Fernando Trueba, as well as Bigas Luna, who gave me my first opportunity. There are a lot of people I would love to work with again. But, of course, I have a special relationship with Pedro and I don't think it's good to hide that.
Roles came to me. I was very, very lucky in that respect. Great directors, great writers, great producers - they saw something in me that they wanted for their picture or their play or whatever it was, whether it was Edward Albee or whether it was - or Peter Hall, directors. They would come to me, thank God. I was lucky. Lucky, lucky, lucky.
Obviously, I've been very lucky in general in my career, but I feel that I've been very lucky in terms of having directors come along at the right times who have taken me to the next level of where I needed to be.
I've been really lucky to work with a lot of theater directors in the film, like Stephen Daldry on 'The Crown' and Richard Eyre on 'The Dresser.'
Oh, I've been ridiculously lucky to work for, I'd say, five of the greatest directors of all time... and a lot of other great people, too.
There are a lot of directors I'd still love to work with. Paul Thomas Anderson is someone I'd love to work with. I think Alejandro Gonzalez Inarritu is very talented. Ang Lee is very talented. I mean, there are a lot of people. There are many great directors out there.
I'm very lucky, I've got two very loving parents, still very much together, and always been very supportive.
America's been very, very good to me. I've been very lucky and worked a lot there, and appreciate and love the work that I've done.
My teammates have been very supportive, and I feel lucky because of that.
I've been very lucky with The Code' and Manhattan' in that I've been working with networks that are deeply supportive of the authorial voice.
Funding has been the hardest part, and my wife has been extremely supportive both when I decided to leave my job, and even when I re-mortgaged our home and put equity into the project. I am lucky to have such a loving and supportive partner.
I've been very lucky to work with many amazing animators and directors who can interpret and extend the music I make. When it's done well, it can create extra meaning and new context for the song.
I've been very lucky. Directors I've worked with have been very amenable to changes.
When I first started out, it was very, very difficult to even get in the room with directors or casting directors because they would see that I hadn't been to drama school and wouldn't want to see me. Now, I feel like it's changing. We have this new generation of a lot of writers, directors and actors who are just breaking through, and they're doing it for the passion.
As a wife, I am married to maybe the greatest guy on Earth because he has just been amazingly supportive.
I've been very lucky to have had a supportive family, a great education, enormous opportunity and challenge.
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