A Quote by Megan Hilty

I come from the theater. Nothing is as difficult as working eight shows a week. Period. End of story. — © Megan Hilty
I come from the theater. Nothing is as difficult as working eight shows a week. Period. End of story.
Broadway's a lot of work, don't get me wrong. It's eight shows a week. You hardly ever see the sunset. I remember when I left, I was like, 'Oh! The sun's setting! I haven't seen that in a year!' Singing eight shows a week is hard.
I think theater probably remains my favorite, sort of where my soul lives. It takes a lot of discipline, and you have to show up eight shows a week, no matter how you feel physically, mentally, emotionally - there's nobody to cut around that: you've got to tell the story yourself for two hours.
I really prefer the actual experience of being onstage and living the character from beginning to end with the energy of the audience. There's nothing that beats that feeling, and yet I really have trouble with the eight shows a week.
If you do eight shows a week it's just too difficult to try to put everything that you can together.
I'd love to do Broadway or the West End. I'm sure doing eight shows a week is gruelling, but I did a lot of stage shows in Sydney and I love performing live.
Living out a story eight times a week is difficult and draining emotionally but very fulfilling.
One of the things on a very practical level as an actor or actress is that when you do a play, you do the entire story every time you do it. You have eight shows a week. You have a rehearsal process of four to five to six weeks. And then once you're in performance, everybody else goes away and you're there with your fellow actors and the audience and the material and your life becomes about that. And you go through the story from the beginning to the end every time you do it and depending on how long you do it, that's where the craft comes in.
I was never much of a musical theater guy, but I have so much more respect for the art form, the physical exertion of doing eight shows on Broadway a week, I cannot even fathom it.
I'm glad I got to do 'The Last Five Years' and 'Into the Woods,' which are both shows that I just don't think I could have the stamina to do them eight times a week. I just have so much respect for the women who do these vocal roles eight times a week. They're so challenging.
I actually gained a lot of weight when I started to do 'Grey's Anatomy.' Doing eight theater shows a week, girl, is such a workout. But with TV, you're, like, sitting in your trailer waiting to go to the set. And there's catering and craft service every place you look.
I have to work really hard, eight shows a week, to get a nice check as an actor. But when I write a play, and it's a - knock wood - hit, the checks come in for many years.
In film and theater, you know the story and the journey from beginning to end, but with TV, you can keep peeling away layers and exploring a new world each week.
I just never had time to follow sports. When you're working as often as I was, eight shows a week, you just don't have time to develop interests outside of the theatre.
In the long period of time when I did talk shows and game shows, a whole new generation of people came along who thought of me as that, and not as a theater person.
I had to wait a while to get the scans back but it shows nothing in terms of needing surgery which is good. I hurt my AC joint and I just need to strengthen it. There is an outside chance to start training by the end of this week and if not than the start of next week.
I've been in leadership roles on Broadway, and it's one thing to lead a Broadway company - you're with those people for a year straight, and you're doing that same show, eight shows a week. It's quite another when you carry on the story... You go beyond that, and you ride the wave of a character.
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