A Quote by Megan McKenna
People I thought would never actually like my music, now follow me on Twitter who didn't before, because of my music.
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The New Kids took some hits for, you know, not writing their own music. But on a songwriting standpoint, I mean, I'd never written music before when I was in the group, ... Now the music is my music, so it's kind of like my baby, and that was a whole different experience.
Actually, music gave me the support when I needed it. I would never have gone to college unless I'd gotten a piano scholarship. And now I'm so glad I got to learn to play the cello, which is a different experience, you're flexing a different muscle, but it's beautiful because it is music.
I didn't make music until I was about 18. I'd been playing my whole life, but I wasn't putting it out because I didn't feel like people would take it seriously. I thought people would be like, 'It's just like sad girl music - it's like Taylor Swift.'
I'm going to make music that reflects me and my life now. So I think people who like my music and who listen to me should appreciate change as well, because I've definitely evolved, and that's a great thing, to celebrate that is what music is all about.
I don't make music to make money. I make music because that's what I like to do. You would think, "Yeah, of course, that's what an artist does," but there ain't too many artists around anymore. I see a lot of people who, if they thought they wouldn't profit, would find an easier hustle. It's a racket now, like everything else, but we're in a capitalistic country - everything's a racket. Take what you can. I think the difference between that line of thinking and me is obvious.
With 'Minecraft,' I've started creating serene ambiance music. As the game went on to become famous, people started identifying me as the ambient music person, which I never actually thought I was.
If 5000 people bought my record, I would appreciate those 5000 people. I make music for them because music isn't supposed to be so money driven. I didn't get into the music game because I wanted to make money. I sing because that's a God given talent of mine and it's something I love to do. If it's 10,000 or a million people, I'm going to give people the music they like from me. That's what being an artist is. Whoever likes your work, that's who you do it for.
I feel fortunate to have made records during an era where people actually bought music. But I have friends in struggling up-and-coming bands now that will certainly never be able to pay the rent, because music has been devalued.
I could never change the overall feel of my music. That's why people like me - I don't follow trends, and I don't follow crowds.
Creating music to fit the marketplace, so that music can be heard? If ever I thought that I even came close to catering to the marketplace, or designing my productions and my music to cater to what is currently fashionable, I would sell shoes for a living. For me, the marketplace can rot in hell. I will do music for the love of music and for the love of people who listen to music, and absolutely nothing else will drive me.
Actually, I never liked Dylan's kind of music before; I always thought he sounded just like Yogi Bear.
What excites me is doing shows now. I don't really get excitement from doing music because you never know what your music is going to bring. It seems like now it's all for nothing.
Early American music and early folk music, before the record became popular and before there were pop stars and before there were venues made to present music where people bought tickets, people played music in the community, and it was much more part of a fabric of everyday life. I call that music 'root music.'
If a website has something I should know, somebody is spinning it around Twitter and I'll see it there. Before I would look at Huffington Post and Slate every day, now I follow them on Twitter.
I've always identified people's taste in music as being kind of hetero and/or homo - there's music people like because they feel like they have aesthetic similarity to it and the music they wish to create, and then there's music that represents the other, that they listen to because it represents an escape from the music that they have to make.
I usually write my music on a piano, and I really enjoy performing that way, because that actually shows how the music was in my mind before it actually became an electronic song.
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