A Quote by Megan McKenna
I realized I didn't want to be doing that anymore. I would go out and get paralytic. I'm talking downing the Jagerbombs like you would not believe. I don't know how I did it.
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I would like to get out to the region in the Caspian sea. I would like to go there. I would like to get to Darfur. I would like to get to Khartoum in Northern Sudan. I would like to get to Zimbabwe. I would like to go back to North Korea, if I could. I would like to go to Yemen. I would like to get to Kashmir. Most of those destinations I will get to.
When you're doing comedy constantly, you're organized: you know where everything is, you know how to get out of it, you know how to stretch it. But, like, doing 'SNL,' I stopped doing spots, and then I would finally do some sets - it take me so long to, kind of, get in the rhythm of it.
I used to work in an office in New York for this terrible company, and we used to have staff meetings, and I would just count how many times the boss would use the phrase "in terms of." And he would say it like 30 or 40 times. And sometimes he would just say it. He'd be like, "Uhh, in terms of, how are we doing with that?" I realized nobody knows what they're talking about. Everyone's bullshitting. Maybe not everybody, but certainly a lot of people.
People expect it to be easy because there you are, out there, doing the thing that you want and making lots of money out of it. But, you know, I'm not that smooth. I can get clumsy around certain people. Like if I were to sit down and think, 'OK, I'm really famous, how am I going to conduct myself in public?' I wouldn't know who that person would be! It would be a lot easier if I could, but I can't.
People will say, 'How do I get abs like you?' I don't know. We're all different. If my girlfriend did what I did, hiking and yoga for a workout, it would affect her body in a different way. That's the message that I really want to get out there. I'm trying to counteract that culture.
I've always been the guy who doesn't necessarily get it with women. A woman would have to say, 'I like you, I want to go out with you, you can ask me.' And still I would question it. Did she mean it?
I had this funny family. At one end, they were breeding dogs in south-east London - for greyhound racing - and at the other, my uncle was living in Downing Street. And I would actually go to Downing Street, which didn't strike me as funny. I'd get on the number 15 bus.
You know, people would always ask me, 'How long is Primus going to go on?' And I would say, 'Until it isn't fun anymore.' At the end of the '90s, it just wasn't fun anymore on many levels.
I had a dream of music and art and the big city in which I would get lost, where no one would know me and I wouldn't know anyone, where I would work at some ordinary job, and if one day I got up in the morning and decided I wasn't going to go to work anymore, no one would ask questions.
I do sometimes find it interesting when I look at a lot of the pranks that are out there, and I see kids doing the exact things that I did in the '90s. Like, I would go out on the street on crutches and fall down, and people would help me. Or I would paint my parents' house plaid; I've seen that replicated.
When Ma died, I didn't know how to go on, either. I don't know how. I don't feel the same know, not exactly. Now that I see that one day comes after another and you get through them one measure at a time. But I'd like to go, not like Fonda Nye, I don't want to die, I just want to go, away, out of the dust.
I told him that I can play it if he wanted to write it, and I would be willing to try and go there emotionally. I did not know as an actress if I would be able to get there, because when you feel really deep emotions or pain, you don't want to go back there.
When you're growing up you also like to go out and party a lot, and the music that we would hear going out would be techno and electronica. And earlier stuff like the Prodigy. It kind of stood out from everything else. Y'know, 'Firestarter,' where did that come out of? It sounded alien and otherworldly.
What I learned in 'Sons' is that I would come in with a blueprint of a season and how it would go, and I realized that the looser my grip was, the better it became because the story found itself. Things happened as I wanted them to in terms of the bigger mile markers, but the fun part was I never knew how we would get there.
If I did want to get a girl's attention, it would just be in some way where I would just start talking to her. It would have to feel organic. It's too weird otherwise.
In my life I do whatever is necessary, even if it is something that is not comfortable, or not fun. I just went to Russia, and I did not want to go. I've been to many places I did not want to go, and would have done anything to get out of it, but I knew I had to do it for the good of the planet.
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