A Quote by Megan McKenna

I'm open that I suffer from really bad IBS and I think people get really embarrassed about stuff like that. — © Megan McKenna
I'm open that I suffer from really bad IBS and I think people get really embarrassed about stuff like that.
We are taught to believe it's bad to be angry, or at least it's not good. That's not the case all throughout the world. People are more open and not embarrassed about it. For instance in Paris, people believe Americans have a really unhealthy relation with anger. They think it's essential to get angry.
For about seven years. I really like it there. There are a lot of great musicians. The scene is very open. A lot of stuff going on. People's ears are really open, they are not closed. A lot of scenes here, people just get tunnel vision and are into one thing.
I came to the conclusion is that we have a very shallow view of human nature in the policy world. We're really good at talking about material things, really bad at talking about emotions, really good at stuff we can count, really bad at the deeper stuff that actually drives behavior.
I find, the older I get, the more surprised I am about how hesitant people are to say what they really want, what they really dream about, what really drives them. It's as if sometimes we're sort of embarrassed, as we get older, to be transparent about that. But you save so much time if you're transparent about what you want.
I think if you don't really like a girl, you shouldn't horse around with her at all, and if you do like her, then you're supposed to like her face, and if you like her face, you ought to be careful about doing crumby stuff to it, like squirting water all over it. It's really too bad that so much crumby stuff is a lot of fun sometimes.
You know when actors are very shy and self-effacing? Well, I really love it when people like my work, but I'm also really embarrassed about it. It's strange. And a bit pathetic really.
The creation of a film starts with an idea, a notion of a time period or characters, and you get really excited about the idea, and sell it to others if you need their support to write the script. You can't wait to get started, and then you try to start, and you struggle with the blank page, and you get some ideas, and they're bad ideas, and you write bad stuff. It's really bad.
I think a lot of pain in people's lives comes from not being open and honest about what they really think, what they really feel, what they like, what they don't like.
I've never really had specific goals and stuff like that - I think I sort of learned early on that if you kind of let life roll in at your feet, you will get a lot of great stuff if you are just aware and open to it.
I love dressing up. I like going out and buying some crazy stuff. I like stuff that's new, innovative and weird. I just pick out stuff that is unique and anything that I'm really diggin'. I don't really care if it's kind of out there. That's what I'm about. I like picking stuff that is really different.
I started acting when I was about nine. I always wanted to get into acting since I was really little but my parents would never let me because they'd heard all the bad stuff about being in the business as a young actor and stuff like that.
I once owned a really, really ugly pair of white leather boots. They were so bad. It was back in the '80s! It was just a really tacky fashion choice when I was in middle school, and I thought it was cool. I'm really embarrassed.
I get really excited about collaborating because by the end of the day you have something that you never thought you'd have. I was really happy about writing "Bad News" and a bunch of other stuff on the record that came out so well.
I've always been really opinionated, and mixed with being really open hearted, open to people shifting what I think all the time, but I like to speak with conviction.
I like playing... I don't know. I think that's what was really exciting about playing Knives, too, from the beginning was that you get to kind of do both of that. She's almost like two different people, but that's what's cool about it, because I get to show her growth and that's the thing that's really cool about Knives, you get to really see her grow up from being meek and innocent and naïve at the beginning to this powerful girl who is going for what she really believes in and what she really wants.
When you're trying to force things in a script, it seems like it's getting somewhere, but it isn't real or interesting. All the bad material you've written becomes an albatross around your neck. So I really don't like writing a lot of bad stuff, I prefer to just keep narrowing it down to stuff I think is solid.
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