A Quote by Megan McKenna

Filming TOWIE' can be so stressful. It is in the contract everyone has to see a psychiatrist. You have to see them and get checked over before the series starts and at the end.
On Towie' everyone is like 'Oh look at Megan she's having a meltdown, she's crying over someone' but no, I just want them to see me not doing stupid things.
Hawaiians are mellow people, but we all live on an island so we see each other all the time. So like you either got to be real nice, because once you have a problem with somebody, you're gonna see them over and over and over, and you're gonna end up fighting. That's why we fight. We're all stuck in one area. You can't get away.
Today I said to the calculus students, "I know, you're looking at this series and you don't see what I'm warning you about. You look and it and you think, 'I trust this series. I would take candy from this series. I would get in a car with this series.' But I'm going to warn you, this series is out to get you. Always remember: The harmonic series diverges. Never forget it."
We just get comfortable in our routines, and that's how it worked before, but now you can see wrestling from around the world and all the promotions, and everyone has something online you could see. And many years ago, you could do these routines, and they weren't routines to the fans because they didn't see them as much.
People always see the success but they never see what's gone on before it. Everyone thinks it happens over night.
Put your leaders in stressful scenarios. Make them figure out solutions under pressure. See if you can make them frustrated, angry, and flustered, and then demand decisive leadership from them. They will be challenged at first, but they will get better over time.
When I start to paint, it is real agony. I get nervous. The day before, I am already working up to it. Then I get to the studio and, once the image starts to emerge and come together, pleasure kicks in. And then you can see things that no other person can see.
I love doing a series because you get to see changes in a character and see her grow. It's a journey with change, and you don't get to see that long-term type of development with just a film.
If you just sit and observe, you will see how restless your mind is. If you try to calm it, it only makes it worse, but over time it does calm, and when it does, there's room to hear more subtle things - that's when your intuition starts to blossom and you start to see things more clearly and be in the present more. Your mind just slows down, and you see a tremendous expanse in the moment. You see so much more than you could see before. It's a discipline; you have to practice it.
There's this funny thing with pilots that you have to sign the contract to do the whole job before you're even offered the part. And they make about a million pilots a year, but hardly any of them get turned into series.
It was cool to me, as a fan of the comics, to see some of the villains that end up finding them there, and the way that they abuse Coulson before the superheroes come. I'm always, in the movies or in the animated series, getting into trouble that a superhero has to bail me out of.
People can see a picture of my body from the neck down and know who it is because of my beauty marks or whatever you call them, moles. I've always had them, and I've always loved them. Obviously you have to be careful with that; I get them checked regularly and make sure that they're healthy.
I made promises to myself and my family that I'd be in the UFC before my first daughter was born, that didn't happen. I was almost at breaking point a week before I got that contract, I was going to go back to concreting - that weekend I get my major sponsor, which was huge, and I end up getting my UFC contract the weekend after that.
I have this thing built into my contract that the club has to put up a sign that says my act "contains the strongest language and material content imaginable," but, believe it or not, I still get complaints. People want you to be what they want you to be. If they see you on TV and that's what they like, they want you to be EXACTLY like that when they see you live. And if you're not, some of them get upset.
The hardest thing is at the end you have to say bye to all these people who you have worked with for so many months. It was really sad not to see them anymore. But you have the parties that you go to and you get to see them, like the premieres and the screenings.
We see women on the field; we see them interviewing players, we see them coming out of the dugout. But if you put them in the booth - like, hold up, wait a second - you haven't been there before. This is different.
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