A Quote by Megan Mullally

Nick's just from this very Norman Rockwell-ish family. They're very 'American Gothic,' and his parents are so kind, and they're not brash people; they're very soft spoken, salt of the earth.
The struggle is how to write optimistically when the world we're living in is not inherently optimistic. I love the idea of the family from the most Norman Rockwell version to Norman Bates. Without family, we have very little - it is the most basic social structure. So yes I suppose I wanted to write a hopeful book about the evolution of the family.
Every time somebody writes a theory about where literature's going, that person is not only contributing thought but nudging things to happen in one way or the other. Just as in painting, there's much more interest in the American scene painters and the early American... like the Ashcan school of painters. Who would have thought, 50 years ago, that Norman Rockwell would again be considered a serious painter? And yet, there are a lot of people who are saying Rockwell was a very accomplished technician. These things are constantly moving.
My family was pretty much the way a family was supposed to be, a Norman Rockwell kind of family, I'm afraid. I say 'I'm afraid' because it will just confirm my critics' view that my views about family are unrealistic.
As a person, Stephen Sondheim is a very funny, very dry and very shy man. I've never witnessed any diva-ish moments, he just always seems so thrilled people are doing his work.
Hawks is great, 'The Treasure of Sierra Madre,' 'The Big Sleep'... He could do the Salt-of-the-Earth very well. He was a very smooth director; a very good film architect in terms of his storytelling.
My parents have tried not to intrude. They kind of stayed apart from my gymnastics but are very supportive, and that's very helpful as a gymnast to not have your parents say, 'Did you do this today?' and just be very on top of you.
My parents are both very funny but they're also relatively soft-spoken, normal human beings while I'm just a lunatic. I don't know where this loud, ballsy, hammy ridiculousness came from. I'm just glad I followed my goals and my parents did too. It's not like we even had a plan when I dragged my mom to Los Angeles.
I've never had a very closely connected family. My parents split up when I was young and I was living with my mom for a little while, then I was kind of just on my own really young. It wasn't some kind of global tragedy, it was just never really a very close-knit family. So there was support in the sense that they didn't stand in my way.
Norman Rockwell - even though we think of him as a great American artist, in a lot of museums he has not garnered that kind of attention. And it's this kind of accessibility that we're trying to bring - not looking down on any art.
Finding a title for a book is something that I work really hard at ... So, in Salt, I realized that the book was a lot about how people live on the earth together and who has access to the resources of the earth. So salt was a very specific thing that people needed, but it's also symbolic because of the way it comes out of the earth.
Donald Trump is happiest when he's with his family and that's his - that - that really is a happy place for him to be with his family. And so he's very generous, very kind, funny, compassionate.
I feel very, very lucky to have come from the family I did. We have our dysfunctions and our problems, just like any family. But my parents are extremely loving people.
The major international appeal for 'House of Cards' was kind of a surprise because it's a very American show. What we learned is that American politics is very American, but greed and corruption and all of that is very global.
My parents have always been supportive. I come from a very simple middle class family, where the upbringing is very traditional. So for them to give me the kind of freedom to exercise my choices is very fortunate for me.
I love to publish new writers, and we do so consistently. But a lot of contemporary American poets sound alike to me. They want to bring spoken, prosy language into poetry and I understand that desire. But they don't edit. It's not very curated work. It seems very lackluster, very uncareful. It may be the un-carefulness is also something they intend but there's a kind of "So what?" quality to a lot of it.
My family, although they're very large on both my parents' sides, they don't know much about their family tree. Occasionally, they try to dig, but they can't get very far, and it's baffling. In Dublin, it seems that so many public records were wiped out; it's proven to be very difficult, so I know very little.
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