A Quote by Megan Phelps-Roper

You know, I had grown up standing on public sidewalks, saying things that people, you know, were very provoked by and were upset by. And - but standing outside that first soldier's funeral, it was eerily quiet.
People were standing up everywhere shouting, "This is me! This is me!" Every time you looked at them they stood up and told you who they were, and the truth of it was that they had no more idea who or what they were than he had. They believed their flashing signs, too. They ought to be standing up and shouting, "This isn't me! This isn't me!" They would if they had any decency. "This isn't me!" Then you might know how to proceed through the flashing bullshit of this world.
I'm standing up for the right of self-determination. I'm standing up for our territory. I'm standing up for our people. I'm standing up for international law. I'm standing up for all those territories - those small territories and peoples the world over - who, if someone doesn't stand up and say to an invader 'enough, stop', would be at risk.
I was a young feminist in the '70s. Feminism saved my life. It gave me a life. But I saw how so much of what people were saying was not matching up with what they were doing. For example, we were talking about sister solidarity, and women were putting each other down. We were talking about standing up for our rights, and women weren't leaving abusive relationships with men. There were just so many disconnects.
Well, very long ago, on the spot where the Wild Wood waves now, before ever it had planted itself and grown up to what it now is, there was a city - a city of people, you know. Here, where we are standing, they lived, and walked, and talked, and slept, and carried on their business. Here they stabled their horses and feasted, from here they rode out to fight or drove out to trade. They were a powerful people, and rich, and great builders. They built to last, for they thought their city would last for ever.
Although the circumstances of our lives may seem very disengaged, with me standing here as the First Lady of the United States of America and you just getting through school, I want you to know we have very much in common. For nothing in my life ever would have predicted that I would be standing here as the first African-American First Lady.
Even when we were standing in church and I was getting ready to take my vow I can remember wishing that you were standing there instead of him.
The writer is a person who is standing apart, like the cheese in 'The Farmer in the Dell' standing there alone but deciding to take a few notes. You’re outside, but you can see things up close through your binoculars. Your job is to present clearly your viewpoint, your line of vision. Your job is to see people as they really are, and to do this, you have to know who you are in the most compassionate possible sense. Then you can recognize others.
I've had people following me home or standing outside my house. It's strange. I just don't think people were meant to be worshipped or idolised.
I remember the first club we played in San Francisco. There were a lot of people on motorcycles standing around outside, and I had trouble getting in. I didn't have any ID, and the guy at the door wouldn't let me in, even though I told him I was gonna be singing in there.
I had a guy at the Groucho bar clawing at my arm nearly in tears saying that until he saw The Departed he thought Americans were the ones on TV. I didn't know you had accents. I didn't know you had a class system. I didn't know you were like us. To which the answer is, probably only where I grew up, but while we're at it don't watch television and think it's the United States of America.
For a long time, I had this constant feeling that I just wanted to look behind me. The hairs on my neck were standing up all the time, I didn't know where was safe.
I did several shows with Jimi Hendrix, that's when I got to know him better, I knew of him, I met him [when he was playing] with Little Richard... And he was kind of quiet, shy, he didn't open up too much, but there were questions as we all ask each other. You know, "how do you do this" and "why do you do that..." We had very small discussions on things like that. And he was very polite, I thought [he was] a very nice guy.
People standing up and saying, 'This isn't right,' is certainly a quality I admire in specific circumstances. There are people who do that and have a different set of politics, and then I don't necessarily agree with what they're doing and why they're doing it. But the act in and of itself of saying something is wrong and standing up for what they think is right is something I generally admire.
I had a very weird, very vivid dream. Donald Trump and I were in some kind of room. It was an office with pictures on the wall behind us, and we were standing next to each other posing for a picture.
Standing up for what you believe is right, as well as standing up for what you believe is funny, standing up for what you believe is cool. As we found each other and the music that we do, we get to live out all of those things. That's what Run The Jewels is: it's all of those aspects of our personality.
Some parents were awful back then and are awful still. The process of raising you didn't turn them into grown-ups. Parents who were clearly imperfect can be helpful to you. As you were trying to grow up despite their fumbling efforts, you had to develop skills and tolerances other kids missed out on. Some of the strongest people I know grew up taking care of inept, invalid, or psychotic parents--but they know the parents weren't normal, healthy, or whole.
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