A Quote by Megan Rapinoe
The kneeling and everything, I think it really only sort of solidifies who I am as a person and the things that I stand for.
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I am really a loner after all; I am really not a social person. Because of my job, people think I am out every night, but I really hate all that. I am somebody who likes to be alone and see some close friends. I am a shy and introspective person.
I like to think I am the sort of person who tries to make the best of things and try to look at the positive side of things.
I think when I started doing stand-up, that's when I really tried to question everything in my belief system which is - I think a pretty important part of being a comedian is really questioning things.
Scolding must be very, very fun, otherwise children would be allowed to do it. It is not because children don’t have what it takes to scold. You need only three things, really. You need time, to think up scolding things to say. You need effort, to put these scolding things in a good order, so that the scolding can be more and more insulting to the person being scolded. And you need chutzpah, which is a word for the sort of show-offy courage it takes to stand in front of someone and give them a good scolding, particularly if they are exhausted and sore and not in the mood to hear it.
I never say, 'I only want to do things like this,' I am not that sort of actor. I don't have that grand plan - some do, but I don't - I am really a character guy.
'Sort of' is such a harmless thing to say... sort of. It's just a filler. Sort of... it doesn't really mean anything. But after certain things, sort of means everything. Like... after "I love you"... or "You're going to live."
I was raised in an atmosphere of 'everything's fine.' But as I got older, I was like, 'Well no, everything's not fine. There is stuff that's sad.' I am a really sensitive person. I think I am too sensitive sometimes.
Of course I can have a simple reaction of sympathy and sorrow to destruction. But you also know that you can't have new things if you don't occasionally destroy the old. That's something you're really not allowed to say because things are often destroyed according to particular power relations so it means taking a stand in those cases, which I am not really interested in doing either. I think I am simply interested in looking.
The happening and telling are very different things. This doesn’t mean that the story isn’t true, only that I honestly don’t know anymore if I really remember it or only remember how to tell it. Language does this to our memories, simplifies, solidifies, codifies, mummifies. An off-told story is like a photograph in a family album. Eventually it replaces the moment it was meant to capture.
It's one of those things that it's everything you think it is, but then again you have to - you need time to really process the entire situation. You stand out on that platform afterwards and you're looking at the ballpark and the fans and the W flags everywhere, and truthfully I do think about everybody, I think about the fans and their parents and their grandparents and great-grandparents and everything that's been going on here for a while. So you think that - I think about my coaching staff.
I think I am a religious person just by nature. I think I sort of view everything through the lens of some inner undying thing in people that drives them to act as they do or to feel ashamed of not acting in some other way.
I want the things that I create to outshine the person that I am perceived to be, which I think is often not accurate and not really representative of who I am.
I am aware that I've generally been more attracted to introspective roles, but it's sort of bizarre, because it's the opposite of who I am in many ways. I think I'm quite an extroverted, loud person. So it interests me that that's sort of the place that I go all quiet, is when I'm onscreen. It's a bit strange.
It was a shut door, and shut doors meant things kept to yourself. There were reasons you kept things to yourself, and they usually weren’t good, happy, open-air sort of reasons. Still, I didn’t want to see behind that door. You think you want to know everything there is to know about everything there is to know. But you don’t. Not really. I had pried the lid off of the dark places of another person before, I had seen inside. Down deep. You don’t want to look at what’s rotting there.
After Stand By Me came out, people were telling me, 'You're so good,' 'You're going to be a star,' and things like that. You can't think about it. If you take it the wrong way, you can really get high on yourself. People get so lost when that happens to them. They may think they have everything under control, but everything is really out of control. Their lives are totally in pieces.
I studied religions and all kinds of other things in college. I took a Shakespearean villain course for English literature. It was really intense. I think that sort of rounds a person. In this business, it's really important for us to be interesting... and have interests.
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