A Quote by Megan Thee Stallion
Tina Snow' was more turnt up than anything I ever dropped, it's my alter ego.
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That is again the same story played on a more subtle level. That's what the religious people have been doing down the ages - pious egoists they have been. They have made their ego even more decorated; it has taken the color of religion and holiness. Your ego is better than the ego of a saint; your ego is better, far better - because your ego is very gross, and the gross ego can be understood and dropped more easily than the subtle. The subtle ego goes on playing such games that it is very difficult. One will need absolute awareness to watch it.
After 'Tina Snow' dropped, I had so many performances and so many appearances, and I'm in the studio all the time.
The second thing: nobody has ever been able to drop the ego because ego is not a reality that you can drop; anything to be dropped at least has to be real, substantial. Ego is just a notion, an idea. You cannot drop it, you can only understand it. Can you drop your shadow? You can run as fast as you want but your shadow will run at the same speed, exactly the same speed.
Some people may complicate it for you, but the formula is simple: Love God more than anything else. More than your ego. More than your money. More than your desires...More than your sleep at dawn. Love God more than anything else, and submission comes natural.
Love God more than anything else, and all goodness will follow.
When I worked with Jermaine Dupri for his label, he would have So So Def parties and he'd tell me, 'Yo, go on get this thing started.' I had to go get on the mic and get people turnt up. I mean, I don't want to be that turnt up guy all the time. It's part of my job so I do what I gotta do.
Tulse Luper, who without too many confessions, in a sense, is a fictive version of me. I have to say he has far more exciting adventures, and certainly a lot of them sexual, than ever I've experienced. But in a sense, what you do with an alter ego, you give them all sorts of permissions and licences which you know you'll never be able to embrace in your real life.
In London the day after Christmas (Boxing Day), it began to snow: my first snow in England. For five years, I had been tactfully asking, 'Do you ever have snow at all?' as I steeled myself to the six months of wet, tepid gray that make up an English winter. 'Ooo, I do remember snow,' was the usual reply, 'when I were a lad.'
People don't alter history any more than birds alter the sky, they just make brief patterns in it.
It's funny: I've always had the analogy of a snow globe, that Hollywood is a snow globe. No, it's true. If you shake it up, you can look at it and really enjoy it. But don't ever go in. Don't ever buy into it and be like, 'I deserve all of this!' because it can go away at any time, so just have a lot of fun.
I think you see more of like, the party side of me, which I call Snooki, it's kind of my alter ego.
A light snow, a snow so faint and small-bodied that it seems nothing more than a manifestation of the cold.
You know," he said, "I keep wanting to say that it's like Simon Snow threw up in here... but it's more like someone else ate Simon Snow—like somebody went to an all-you-care-to-eat Simon Snow buffet—and then threw up in here.
Love and ego cannot go together. Knowledge and ego go together perfectly well, but love and ego cannot go together, not at all. They cannot keep company. They are like darkness and light: if light is there darkness cannot be. Darkness can only be if light is not there. If love is not there the ego can be; if love is there the ego cannot be. And vice versa, if ego is dropped, love arrives from all the directions. It simply starts pouring in you from everywhere.
More than anything, all I have ever wanted is to be close to someone. More than anything, all I have ever wanted is to feel as if i wasn't alone.
I feel ever so strongly that an artist must be nourished by his passions and his despairs. These things alter an artist whether for the good or the better or the worse. It must alter him. The feelings of desperation and unhappiness are more useful to an artist than the feeling of contentment, because desperation and unhappiness stretch your whole sensibility.
Dorothy was in that state human beings passed through at the beginning of a love affair, in which they desire to say anything and everything to the beloved, to the alter ego, before they have learned what the real Other can and can't understand, can and can't accept.
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