A Quote by Megan Thee Stallion
I don't really feel like I done made it all the way. I feel like, 'OK, we did this. Then we grinded enough to get to this point. Now we gotta grind enough to get bigger and bigger,' you know?
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There are periods when you feel really good. You feel the ball is bigger. The court is larger. You feel like you can't miss. And then there are periods when you feel, 'OK, I'm not feeling great.' But I still need to try to find a way to win.
I feel like I've gotten to a point where I don't know if it can get much bigger. I've been climbing and I feel very happy.
I didn't set out like, "I'm gonna do this album, and I really want a #1 album." So it wasn't even on my mind like a goal to accomplish... but as soon as it sunk it that it was an accomplishment, I realized I gotta start acknowledging milestones [I've] accomplished because sometimes you get so caught up in the bigger picture that you gotta stop and notice the steps you take to get to the bigger picture.
I think, in a large way, it's, 'OK, you've knelt; you've made your point.' But I don't necessarily feel like that. I don't know what that looks like. Do I kneel forever? I don't know, probably not. But I think until I can feel like I'm being more effective in other ways, then this seems appropriate to me.
I had to realize that you can't try to get money, support yourself, and grind doing whatchu need to do at the same time. The music is the grind. You really gotta grind. You gotta find your way around. You can't be stuck tryna get there.
I feel like there are a number of indie artists... as they grow, it makes the most sense for them to pivot to pop, to become bigger artists. And I feel like that's when people get really bad, you know? I didn't want to fall into that pitfall.
I want you to forget all your insecurities. I want you to reject anyone of anything that's ever made you feel like you don't belong or don't fit in or made you fell like you're not good enough or pretty enough or thin enough or can't sing well enough or dance well enough or write a song well enough or like you'll never win a Grammy or you'll never sell out Madison Square Garden, you just remember that you're a goddamn superstar and you were born this way!
I've directed enough in the theatre and a couple of films to know that - to feel fairly secure that if I find a story that I really like I can probably get it done somewhat.
Every film that gets made, and I'm not just talking about 'Star Wars,' I'm talking about Marvel, DC, every tent pole film - they seem to just keep getting bigger and bigger and bigger and bigger. The worlds get bigger, the stakes get bigger.
People need to be given enough so that they feel like they're not missing something. There's a thing that you have when you watch a movie where, if you feel like you're not following and you're going to get tested on it later, you're going to get disengaged. So, you have to give people just enough information, so that they're able to keep up with the story.
I'm ready. I feel like I can't be beat. You have to feel like that being a fighter. I just feel like this is a bigger type of energy. I feel like I've beaten so many odds. I feel kind of invincible. It's going to be a good fight.
If you're clever enough and creative enough to get a good film made, then you should be clever enough and creative enough to find ways to get it out there, one being something like Jameson First Shot.
You have a bigger view, of something bigger than you, and you have to view that and take that in mind. At times you feel like despair rises up over hope, then other times you feel hopeful again.
When you get to a point where you're not beholden to a record company, then it's up to you to say, 'OK, enough knob-turning. We're done.'
Now, almost twenty years since my last job in book publishing, I know that there are far more socially inept people in book than in magazine publishing. At the time, however, I just didn't feel I was enough: smart enough, savvy enough, well read enough, educated enough, charming enough. Much of this was probably because I was very naive, and didn't really know how to behave in an office. This made me a terrible assistant, which in turn made me a terrible junior book editor.
After Princess Diaries, I was labeled a good girl, and for the first eight years of my career I had to fight to get any other kind of role. But I like fighting for a job, actually. Once you get it, you feel like you've emerged victorious from the scrap and you're like, "OK, this one's mine. Did it. Done."
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