A Quote by Megan Thee Stallion

My mom is the first female rapper I've ever known. I'm thinking, like, Okay, yeah, this is normal. Everybody's doing this. — © Megan Thee Stallion
My mom is the first female rapper I've ever known. I'm thinking, like, Okay, yeah, this is normal. Everybody's doing this.
As a female, we always have to be labeled this new female rapper. It's never like, 'I heard this rapper Tink.' It's always, 'I heard a female rapper.'
First female referee can't play probably, either, right? But you're thinking the game like you know it? Okay, see ya.
We are all people... don't label me as an LGBT rapper or a female rapper... I don't like to be labeled.
When I was younger, it's like, 'Mom works. Normal adult stuff.' But you mature and start to look at it differently. I watched my mom struggle. She comes home tired. She doesn't want to do anything. As I got older, I started thinking, 'My mom doesn't deserve this.' My whole devotion became to get my mom out of that trailer.
I like to tell kids that I started thinking about stories when I first started reading stuff like Dr. Seuss and 'Go, Dog. Go!,' thinking, 'Oh yeah, that's funny. I'd like to do that.' And then writing throughout school, but at the same time I was studying pre-med stuff, because my mom told me I should be a doctor.
Other female rappers are overly sexual, have no wit, and their lyrics are so generic. I want to change the game to make rap that shows I'm not a normal female rapper - it's not about how rich I am, how much sex I have, or how many boyfriends I have. That's just not me.
The trapeze was my first love. To me, it's normal. It's all I've ever known.
I dunno, around 11th grade, 12th grade I was just like "yeah. This is something I want to do". I was always known; I was always the rapper.
I spent two years making music in San Francisco for my first mixtape. Initially, I was not at all doing this to be a professional rapper, a touring rapper. I didn't think I had that talent level in me.
Yeah, well, I’ll be glad to birth it if it means I can name him something normal. (Zarek) Yeah, yeah. This from a man who whines like a two-year-old when he stubs his toe. I’d like to see you survive ten hours of childbirth. (Astrid)
Sometimes I write a song and I'm down with it but I'm like yeah, whatever, and then everybody loves it and then it blows up. I'm like: "Okay! I didn't see that coming."
I was at the AMC Century City movie theater with my mom, and we were walking through the lobby, and these girls came up to me, and they said, 'Are you Dallas from 'Austin & Ally' - and I was like, - yeah, yeah. And they were like, 'Can we have a picture with you?' and I was like, 'Yeah sure of course.'
I'm an artist, not a rapper... so my musical genres and library is way beyond the normal rapper.
The first time my mom read my very first book, she was like, 'I'm not gonna belabor this. It's not a big deal. But I have to ask the question: Is everything okay?'
No one in my family or my circle of friends had ever had to confront something like this. Jamie was seventeen, a child on the verge of womanhood, dying and still very much alive at the same time. I was afraid, more afraid than I'd ever been, not only for her, but for me as well. I lived in fear of doing something wrong, of doing something that would offend her. Was it okay to ever get angry in her presence? Was it okay to talk about the future anymore?
It was (Nick Frost's) first-ever bedroom scene and my first-ever bedroom scene...not that we were actually doing much, but we did have to lie sort of semi-nude under the sheets. And he was incredibly sort of vibrant and outgoing, but then he suddenly got very, like, 'I'm engaged and I'm getting married!' And I was, 'Okay, that's good. I just won't be touching you, then!'
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