A Quote by Meghan Daum
It was a challenge for me to do a plot because I'd been an essayist and a journalist. I had to be vigilant about moving things along and being entertaining.
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I'm a stickler for structure. So I tend to make sure I'm hitting certain points in the script and that I'm progressing and moving things along. You know, are the characters keeping the plot moving along? And are they true, and do I know their motivations?
Men there have been who have done the essayist's part so well as to have earned an immortality in the doing; but we have had not many of them, and they make but a poor figure on our shelves. It is a pity that things should be thus with us, for a good essayist is the pleasantest companion imaginable.
I get a very vague idea and - perhaps because I once was a journalist, or perhaps because that's what made me want to be a journalist - I go off and explore it for a bit, rather than mapping out a plot and then filling in the research.
Do you ever get moods when life seems absolutely meaningless? It's like a badly-constructed story, with all sorts of characters moving in and out who have nothing to do with the plot. And when somebody comes along that you think really has something to do with the plot, he suddenly drops out. After a while you begin to wonder what the story is about, and you feel that it's about nothing—just a jumble.
Journalism has been very important for me - for a long time I made my living as a journalist, and it also serves as a source of ideas. Many of the things I have written I would not have written without the experience of being a journalist.
Since I'm not a journalist, I talk about issues that encourage an interchange of ideas through conversation while also being entertaining.
I think any musical has so many moving parts and the challenge is unifying all the moving parts in particular because you have the camera and now it's all about adaptation and what works in one medium doesn't necessarily work in another so the challenge is to stay as true as you can to the material and yet not be afraid to step out of it and add elements to make it satisfying cinematically.
I had to write something and couldn't think of a plot, so I decided to write a Cinderella story because it already had a plot! Then, when I thought about Cinderella's character, I realized that she was too much of a goody-two-shoes for me, and I would hate her before I finished ten pages.
The challenge for me has first been to see things as they are, whether a portrait, a city street, or a bouncing ball. In a word, I have tried to be objective. What I mean by objectivity is not the objectivity of a machine, but of a sensible human being with the mystery of personal selection at the heart of it. The second challenge has been to impose order onto the things seen and to supply the visual context and the intellectual framework - that to me is the art of photography.
My journey has been a very fun one because I've chosen to make the best of every challenge that I've had along the way no matter what.
In everything I've written, the crime has always just been an occasion to write about other things. I don't have a picture of myself as writing crime novels. I like fairly strong narratives, but it's a way of getting a plot moving.
I am a vigilant monarchist. I want to see things evolve. The direction the monarchy seems to be moving in - towards a more mainland-European model - is one I would feel sympathetic about.
At the end of the day, we all watch sports and we pay attention to different things here and there because we find things entertaining. But, I think if the product is entertaining, people will enjoy it and watch it. If the product isn't entertaining, they won't.
I will entertain things that are entertaining and sound interesting and challenge me. But acting just doesn't come second-nature to me.
So I realized when I was successful in a piece, it was because I didn't abandon a notion early on what it ought to be, and I let it take me along. So I've had songs that started out as being about the environment and ended up being love songs and love songs that ended up being about the environment. I've had things that I thought would be a poem and realized that it was just too big for that. I've got to do something larger and it became a play. I wrote one poem that started a whole play.
I was charging forward too hard, into too many war zones, working too long, drinking too heavily, pushing forward, pushing forward. And who knows, had this not happened, maybe I would have been one of the casualties as a journalist covering the war. Who knows, maybe I would have been captured and tortured somewhere along the line, because I always pushed things to the limit.
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