A Quote by Meghan Daum

Non-fiction about personal subjects is going to attract more user comments than a foreign correspondent writing from Syria - unfortunately. — © Meghan Daum
Non-fiction about personal subjects is going to attract more user comments than a foreign correspondent writing from Syria - unfortunately.
When I have a writing workshop, I like to have people that are anthropologists and people who are poking around in other fields, I like to have them all in the same workshop, and not worry about genre. I like to mix it up, because the kind of comments you can get from a fiction writer about your poetry are going to be very different than what you'll get from a poet. Or the comments you'll get from a filmmaker about your performance are going to be very different. My writing workshop is about mixing it up, cross-pollinating, not only in genres but in occupations.
It wasn't something I started off in my teens or early twenties thinking I want to be a war correspondent. I still don't think of myself as a war correspondent. I'm not. I'm a foreign correspondent.
I think most of the Washington foreign policy establishment exists in a fantasy world when it comes to Syria. They fundamentally don't understand that Russia and Iran, from the beginning, had much more at stake in Syria than the United States did. Russia and Iran were going to do everything possible in order to keep Bashar al-Assad in power.
What I find interesting and heartening, though, is that there does seem to be a shift in the subject matter being written about by women that is doing well in the culture. We're seeing more women writing dystopian fiction, more women writing novels set post-apocalyptic settings, subjects and themes that used to be dominated by men.
I have to say that writing about my writing process is more daunting than writing non-fiction.
Nonfiction gives you subjects. Writing fiction I can have more fun, but I have to invent my subject.
When I was writing stories about Chinese American characters in my fiction classes, I'd get comments like, 'You should consider writing more universal stories.' But anything can happen to a Chinese American girl - just as much of the canon of English literature involves white men or women.
People talk about [Bashar] Assad running Syria. He doesn't control his own country. He's down to about 20, 25 percent of the country. What is this fiction that he is somehow the only person who can save Syria? There's - with Assad there, there is no Syria. So that's what the Iranians and the Russians need to really begin to focus in on.
I like to mix it up, because the kind of comments you can get from a fiction writer about your poetry are going to be very different than what you'll get from a poet.
Armed with nothing more than a Facebook user's phone number and home address, anyone with an Internet connection and a few dollars can obtain personal information they should never have access to, including a user's date of birth, e-mail address, or estimated income.
Not to be too 'Tale of Two Cities' about it, but I find writing a memoir easier than writing fiction, and more difficult.
All of business and all of politics is essentially fiction to those who live them. I have more experience with fiction than most senators because I do it all day, so their world didn't seem that foreign to me.
If you think about shortages, you're going to attract more shortage! If you think about what's missing, you're going to attract more of what's missing in your life.
While I would agree that I write about serious subjects, and that they're not necessarily the most pleasant subjects or even the most pleasant people, as a writer I just think about the humorous aspects of these things - that's what keeps me going when I'm writing a story.
What's going on in Syria is the worst humanitarian crisis since World War II. And we are punishing those who are suffering most in this circumstance, in this condition. We vet refugees from Syria for a period of 18 to 24 months before they're allowed to come to the United States. And, you know, if you will permit me, I think we know more about them by the time they get here than we know about the president's finances.
Even though I always claimed that I didn't want to write about something - once I wasn't writing fiction, anyway; I think for me the change from fiction to poetry was that in fiction I was writing about something, in poetry I was writing something.
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