I'm very drawn to subversive comedy like Alexander Payne and Jason Reitman. But at the end of the day, if you want to do great work, you have to pay your dues.
I'm sure that the average person thought we would fold up right there. That's all everyone thinks we're about, anyway. Alexander, Alexander, Alexander. But it's about the brotherhood. Shaun's a great player, but we have a lot of weapons around here.
I would love to work with Quentin Tarantino - he's my number one. My ultimate. I would love to work with Paul Thomas Anderson, Alexander Payne - Pedro Almodovar wouldn't be too shabby. There are so many good directors, but those are some of my favorites.
I would have played any character in an Alexander Payne movie.
I really like dramas that have a tone of comedy in them or the opposite, and those are done by people like Alexander Payne and Jason Reitman but also Spike Jonze and David O. Russell and Paul Thomas Anderson, the Coen Brothers.
Obviously, if you get a chance to be in Alexander Payne's movie, you're going to go for it, or you'd be a crazy person.
Alexander Payne's very specific. His scripts are always complete when you start working on them.
I even think the commercial element of new American directors is really fertile right now. There are a lot of filmmakers with very particular visions, like Sofia Coppola and Wes Anderson and P.T. Anderson and Alexander Payne and Peter Sollett and Harmony Korine and Vincent Gallo. At least they're making films that they choose to make, and they're on their own. That's positive to me. This is not a dead period for American cinema at all.
I think that's what distinguishes Schmidt, really. In the movies now, so much of what is appealing to an audience is the dramatic or has to do with science fiction, and Schmidt is simply human. There's no melodrama; there's no device, It's just about a human being.
I loved my kids. And I loved my house, and I loved a lot of things about my life in the 1950s. But there were a lot like me in that era, very overeducated housewives.
Definitely, I did not, after 'SNL,' say, 'OK, first I'll go be in Alexander Payne's movie.' I thought I might go back to writing, to be honest.
Raven: "Don't you notice that?" Alexander: "Notice what?" Raven: "The girls?" Alexander: "What girls?" Raven: "Hello! You were worried about bringing me to a bar when all along I should have been concerned about bringing you." Alexander: "I don't know what you are talking about." Raven: "The girls are drooling all over you!" Alexander: "Well, there is only one girl I want to be with and she's right here.
I like Alexander McQueen's work a lot: he's always pushing boundaries, and he's rough around the edges.
I go back to Francis Schmidt. Francis Schmidt was the Ohio State coach who hired me.
You're only great if you win. I mean, Alexander wasn't Alexander the Mediocre or Alexander the Average. He was Alexander the Great, and there's a reason for it.
It was also wonderful to have the prospect of playing with Jack Nicholson. It was a terrific part, a terrific script, with Alexander Payne and Jack Nicholson. You can't get any better than that!