A Quote by Meghan McCain

I don't go to journalists' houses and start dishing about anything private. — © Meghan McCain
I don't go to journalists' houses and start dishing about anything private.
David Axelrod says we need to inspire more young people to be journalists? How about inspiring journalists to be journalists?
It's always smart to know your market - what kind of buyers are looking in your neighborhood? What have other houses sold for in that area? Check out some of the open houses if possible and you'll start to learn about what people in that area value.
One of my weekend hobbies is to go look at old houses when there are open houses around here. Just to go look at the architecture. And you can see how many houses were built around 1977, the year where everyone said, "Let's put in these aluminum windows instead of beautiful hand-made wood ones."
I love design. That's my favorite part about flipping houses and that's what I'm good at so to be able to go outside the box and not just design houses that are flips.
I'm very private about my private life. I don't like to go into too much depth about it.
I am suspicious of writers who go looking for issues to address. Writers are neither preachers nor journalists. Journalists know much more than most writers about what's going on in the world. And if you want to change things, you do journalism.
And when you start to think about death, you start to think about what's after it. And then you start hoping there is a God. For me, it's a frightening thought to go nowhere. I also can't believe that people like Stalin and Hitler are gonna go to the same place as Mother Teresa.
For some people it's real therapy to talk to journalists about their private lives and inner thoughts. But I would rather keep something to myself.
Private schools are gaming the system. There is way too much state money going in, and people who go to private schools seem to be given a head start for all of the top jobs and that's something that needs to be dealt with as well.
The school was prone to dishing out punishments for anything creative that didn't fit with expectation - I just followed the logic and figured the folk club was probably much the same.
Journalists in newspapers and in many magazines are not permitted to be subjective and tell their readers what they think. Journalists have got to follow a very strict formulaic line, and here we come, these non-fiction writers, these former journalists who are using all the techniques that journalists are pretty much not allowed to use.
When you go to Nashville and start co-writing, you start doing it as a job and the more you do it the better you get. You know if you build houses for 30 years you're better than you were the day you started. You know the ins and outs, you know all the nuances.
A lot of college graduates approach me about becoming screenwriters. I tell them, 'Do not become a screenwriter, become a journalist,' because journalists go into worlds that are not their own. Kids who go to Hollywood write coming-of-age stories for their first scripts, about what happened to them when they were sixteen. Then they write the summer camp script. At the age of twenty-three they haven't produced anything, and that's the end of the career.
For such will be our ruin if you, in the immensity of your public abstractions, forget the private figure, or if we in the intensity of our private emotions forget the public world. Both houses will be ruined, the public and the private, the material and the spiritual, for they are inseparably connected.
When you're mired in the depths of depression, it's impossible to believe that anything can get better, but it can and it will. Seek out low-cost or free counseling. Get help and support from your community and stick with it until you can afford some fancy private shrink. Do anything. Join a church group if you have to. It doesn't have to be about religion, it's about not feeling alone. Also, do not be afraid to go to the emergency room. I've been there.
I create my own schedule, so you start out each day and you say, "Okay, from 10 to 11 I'm going to write," and on the dot at 10, I went downstairs, got dressed like I was going to work, and at 11 I stopped. I don't know why, what kind of wizardry about that worked, but having the structure for a month, I was dishing out songs.
This site uses cookies to ensure you get the best experience. More info...
Got it!