I had a good time working with Russell Crowe, Ron Howard and Ed Harris. It was a great cast and Russell worked really hard, doing tons of research and questioning everything.
I had a good time working with Russell Crowe, Ron Howard and Ed Harris. It was a great cast and Russell worked really hard, doing tons of research and questioning everything
I had a prior deal in place to do a miniseries for HBO, so I'm not done with TV. But I basically want to stay in movies.
As great as Ed is, the wisdom out here is that he can't carry a movie. They'll pay him $3 million to be the second banana in Julia Roberts things. But they won't put up $3 million for an Ed Harris movie.
I'm trying my hand at writing. I'm writing a couple of projects for HBO, a half hour comedy and a miniseries.
To spend time with Ed Harris... he's an acting hero of mine, so that's a big deal for me.
What do I predict with the HBO 'Game Change' movie? I expect my family and Sarah Palin to be nothing short of crucified.
I believe it has changed so much because of the impact you can have from that position. You are so involved in the game from both a pass and a run standpoint. Anyone that can have an impact on a game like that is going to be held to high standards. You have guys like Ed Reed and Troy Polamalu who make big-time plays which can change the outcome of the game.
My heroes are Robert Duvall, Forest Whitaker, Ed Harris, Tommy Lee Jones, Anthony Hopkins and Sean Penn.
If I ever over hear people saying I give off an 'Ed Harris type of sexy vibe.' I'll be pretty psyched.
You push a button and it goes all over the world and on Sunday people are saying, 'Oh, I binge watched all 10 of them. Where's more?' and you go oh, the world has changed. It's not my dad walking to the television set and turning a knob to Ed Sullivan.
It's spiritual, a man that has a past and regrets, but you can as a director take a shot, and there's something in the eyes and the face, you just can't fake it, you can't teach it, and I think Ed Harris has that quality.
I wasn't aware of my dad being an actor when I was young. I remember there was an Australian children's entertainer on television called Ralph Harris and when I'd say my father was an actor, kids would say, you know, 'oh, is he Ralph Harris?' And I had to say no and then they would lose interest.
Understand me, Hollywood miniseries are very popular in England. But British miniseries make a tremendous mark on the national consciousness. They become part of the national culture and mythology... at least for a time.
All the way back in 1999, when I first stumbled upon the idea of a project tracking John Dillinger and Baby Face Nelson and all the major Depression-era bank robbers, I thought the subject was too big to be a single book. Instead, with a friend's help, I pitched the idea as a miniseries to HBO. To my amazement, they bought it.
What prevailed was that it was a family story, so it didn't matter what the color. It was also the perfect subject matter for a miniseries: A best-selling book, a generational story, a social problem - they all made 'Roots' what a miniseries should be.