A Quote by Meghan O'Rourke
I think that grief is a profound spiritual, metaphysical, and - oddly - physical reckoning with death, which we don't understand well. It's both the process by which you relearn the world in the absence of someone who was a pillar in it, and the process in which you confront the reality of death.
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Think of a lifeless forest in which a small plant pushes its head upward, out of the ruin. In our grief process, we are moving into life from death, without denying the devastation that came before.
I've always said that the artist dies twice. And the first death is the hardest which is the career death, the creative death. The physical death is an inevitability.
I expect that after the election and the results that the international community will understand which was the framework of this process and under which law we have done this process.
[There are, in us] possibilities that take our breath away, and show a world wider than either physics or philistine ethics can imagine. Here is a world in which all is well, in spite of certain forms of death, death of hope, death of strength, death of responsibility, of fear and wrong, death of everything that paganism, naturalism and legalism pin their trust on.
To achieve contact with reality is not to transport oneself elsewhere, it is not transcendence but thorough immersion in one's surroundings. A reality which is neither purely physical nor metaphysical, but both at once.
In problem-posing education, people develop their power to perceive critically the way they exist in the world with which and in which they find themselves; they come to see the world not as a static reality, but as a reality in process, in transformation.
There is a political process which we are trying to achieve through what is called the Vienna Group. That involves the establishment of a governing council, which is to take power away from Bashar Assad, to write a constitution and to open the way for elections. It is important that Bashar leaves in the beginning, not at the end of the process. This will make the transition happen with less death and destruction.
I always thought death was cruel, a silent destroyer of breath, of hope, of life. Now I understand it is physical death, the perception of it, the fear of it, which often saves us; for death marks the end of our flesh causing us to question the future of what we are.
The body is a fortuitous concourse of atoms. There is no death for the body, only an exchange of atoms. Their changing places and taking different forms is what we call 'death.' It's a process which restores the energy level in nature that has gone down. In reality, nothing is born and nothing is dead.
Being an artist doesn’t take much, just everything you got. Which means, of course, that as the process is giving you life, it is also bringing you closer to death. But it’s no big deal. They are one in the same and cannot be avoided or denied. So when I totally embrace this process, this life/death, and abandon myself to it, I transcend all this meaningless gibberish and hang out with the gods. It seems to me that that is worth the price of admission.
We lost our innocence in the Fall, and our turn to it is through the Redemption which was brought about by Christ's death and by our slow participation in it. Sentimentality is a skipping of this process in its concrete reality and an early arrival at a mock state of innocence, which strongly suggests its opposite.
The cruelest form of death, I have no doubt, is not physical death. Rather it is that public death which comes from the killing of ideas about God.
Death is not earnest in the same way the eternal is. To the earnestness of death belongs precisely that remarkable capacity for awakening, that resonance of a profound mockery which, detached from the thought of the eternal, is an empty and often brash jest, but together with the thought of the eternal is just what it should be, utterly different from the insipid solemness which least of all captures and holds a thought with tension like that of death.
I do have commitment phobia, which I think is underlied by death anxiety. I feel that if you are in a relationship, there is a real genuine possibility of plateauing, and there is a possibility for a creative, emotional and spiritual death because of it. Only part of me feels this way, but it's enough to create an anxiety which makes me think twice before committing.
Dying is not romantic, and death is not a game which will soon be over... Death is not anything... death is not... It's the absence of presence, nothing more... the endless time of never coming back... a gap you can't see, and when the wind blows through it, it makes not sound.
I think grief is a huge subject; it's one of the things that everybody is going to confront in one way or another. There's been a lot of books written about how Americans have an odd way of trying to defer grief or minimize the need to grieve. People used to have a lot more ritual grief in their lives. For the most part, we think of it as a strictly temporal process: you grieve for a time and then you're over [it], but it's also a spatial process. It travels across a map.
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