A Quote by Meghan O'Rourke

If the condition of grief is nearly universal, its transactions are exquisitely personal. — © Meghan O'Rourke
If the condition of grief is nearly universal, its transactions are exquisitely personal.
What I've learned over the years is that the craft of songwriting is trying to take the personal and make it universal - or in the case of telling a story, taking the universal and making it personal.
Make the Universal personal and you become richer, wiser and stronger. Make the personal Universal and you will find freedom, compassion and love
It is not every man who can be exquisitely miserable, any more than exquisitely happy.
The exquisitely bad is as satisfying to the soul as the exquisitely good. Only the mediocre is unendurable.
Man is subject to innumerable pains and sorrows by the very condition of humanity, and yet, as if nature had not sown evils enough in life, we are continually adding grief to grief and aggravating the common calamity by our cruel treatment of one another.
Outside the firm, price movements direct production, which is co-ordinated through a series of exchange transactions on the market. Within a firm, these market transactions are eliminated and in place of the complicated market structure with exchange transactions is substituted the entrepreneur-co-ordinator, who directs production.
My heart burnt within me with indignation and grief; we could think of nothing else. All night long we had only snatches of sleep, waking up perpetually to the sense of a great shock and grief. Every one is feeling the same. I never knew so universal a feeling.
Nearly every tribe and nearly every human being has gods. Belief in gods is all over the place. It's universal. It squeaks and squoozes from every pore of humanity.
Love and grief enable us to feel how we're all at heart the same. In love and grief, which is always very personal, the distinctions that separate us melt away.
Universal design systems can no longer be dismissed as the irrelevant musings of a small, localized design community. A second modernism has emerged, reinvigorating the utopian search for universal forms that marked the birth of design as a discourse and a discipline nearly a century earlier.
The theme of the diary is always the personal, but it does not mean only a personal story: it means a personal relationship to all things and people. The personal, if it is deep enough, becomes universal, mythical, symbolic; I never generalize, intellectualise. I see, I hear, I feel. These are my primitive elements of discovery. Music, dance, poetry and painting are the channels for emotion. It is through them that experience penetrates our bloodstream.
Without sound, celebration and grief look nearly the same.
It's more like can I build a group of characters and can I tell some universal truths that feel real and aren't formulaic in the spirit of filmmakers gone by who've told American stories that were personal and universal as well.
I don't think grief of grief in a medical way at all. I think that I and many of my colleagues, are very concerned when grief becomes pathological, that there is no question that grief can trigger depression in vulnerable people and there is no question that depression can make grief worse.
I try not to push characters too close to myself because they get harder to write, but as a writer, you try to find odd little personal experiences that you hope are universal or think might be universal.
There was an exquisitely beautiful conception in my brain when I did this piece of work all alone from midnight until morning after the experience of a wonderful day. But I was not able to make the consummation anywhere nearly as beautiful as the inspiration. That, I suppose, is the cry of every heart struggling for self-expression.
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