It is my first preference to do films with social significance. Art cinema has given me credibility and status as an actor, but commercial cinema has given me a comfortable living.
The biggest challenge Malayalam cinema faces is territorial. We operate within a small territory in Kerala, and the Malayalam diaspora across the world in comparative terms is quite small. But we have world-class talent in terms of technicians, actors, and writers.
I decide on the films I want to do. Sometimes I ask my father for advice, but he never forces me. He is like a friend to me. My father has been my biggest strength when it comes to cinema.
I was really looking forward to the release of 'Villain.' I put in a lot of hard work, and I am glad people are noticing basic things - like how I synced perfectly with the Malayalam dialogues or that I came across as a Malayalam girl - makes me feel wonderful.
My favourite way of watching the cinema is the biggest possible cinema you can find, with the biggest possible screen, and the loudest possible Dolby - but just me. Nobody else.
It was the old psychosomatic side-step. Everyone in my family dances it at every opportunity. You've given me a splitting headache! You've given me indigestion! You've given me crotch rot! You've given me auditory hallucinations! You've given me a heart attack! You've given me cancer!
Actors should stop complaining about nepotism. I am uneducated - I was asked to leave school in Class 11. I came to Mumbai with only Rs 300, yet there is no one in this industry who has not been nice to me. From filmmakers who have given me work to people who have given me advice, I feel blessed to have them in my life.
I work very physically as an actor. The biggest thing for me has been the challenge of how to be this person [Olivia Pope] with the personal transformation that's going on for me physically... That hasn't been easy. It's been an awesome challenge for me...because so much of how I access character is through my body.
In Hindi cinema, the cabaret dancers were eased out when the heroines imbibed their mannerisms. This could happen in Malayalam cinema too.
In Malayalam, I can improvise, and acting is easy because I think in Malayalam, but for 'Velaikkaran,' I had to prepare for a role, which is a first for me.
My place is cemented in Malayalam films. Malayalam is not my language and it felt alien to me. But for them, I am someone from Karnataka who could deliver.
We have always wanted to give back to cinema, and we couldn't possibly think of a better way to do that than facilitate films which we believe will make Malayalam cinema proud.
I've been given the opportunity to carry forward the legacy with which people associate me; I can't escape it even if I don't like it. I take pride in carrying forward what's been given to me.
The state of Kerala and Malayalam film industry has been like a home to me ever since I started my career as an actress.
For me, as an actor, there is no commercial or independent or art cinema. For me, it's a character that is given by the director. And it is a task for me that I have to fulfill it to the best of my ability regardless of the kind of film that it is.
I got to perform the [Jaques] Ibert Concertino Da Camera with a brilliant pianist at school named Chunga. I got to perform the [Alexander] Glazunov Concerto in senior year with our school orchestra and the Jewish Grossman orchestra. I won a scholarship from the Goldman band to perform the [Paul] Creston Concerto. Which I never played with them, but they still gave me the money.