A Quote by Meghana Raj
Oh, I get compared to my mum in many way, be it looks, the performance or whatever else, but none of this seems like a negative.
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There are so many great records that when you grow older, you're like, 'Oh man, this is the best record ever made.' And you're like, 'Oh it didn't get nominated or win a Grammy.' It's countless, how many amazing, classic American records haven't been knighted or whatever.
I don't care how you get the outs. It doesn't matter to me how bad it looks, how good it looks, how many strikeouts you have. None of that stuff matters as long as you get the outs.
My mum will come along and support whatever I'm doing in a very willing way, if nothing else.
So many people giving you so many opinions about how you look. It's hard for me to gauge what people are sometimes getting at. This brings up my suspicious side. I feel you just have to be confident with yourself. I feel topics like, "Oh, she looks beautiful today" or "She looks a mess today without her makeup"-that's always going to come my way, so I just think it's all about self-confidence.
I've always been loud and obnoxious and sneaking my way into things, and so I feel like I've snuck my way onto the Lollapalooza lineup, and I'm going to sneak my way into whatever else I get to do.
It seems like I always had to work harder than other people. Those nights when everybody else is asleep, and you sit in your room trying to play scales. I just wonder where I was when the talent was being given out, like George Benson, Kenny Burrell, Eric Clapton ... oh, there's many more! I wouldn't want to be like them, you understand, but I'd like to be equal, if you will.
Now, some people might look at something and let it go by, because they don't recognize the pattern and the significance. It's the sensitivity to pattern recognition that seems to me to be of great importance. It's a matter of being able to find meaning, whether it's positive or negative, in whatever you encounter. It's like a journey. It's like finding the paths that will allow you to go forward, or that path that has a block that tells you to start over again or do something else.
I think everyone's a little afraid of being part of a trend, because you get compared to each other. Writers tend to have a lot of camaraderie, and when you're constantly compared to someone else, it kind of damages that camaraderie, but I think this is a great trend. I'm honored to be a part of it in many ways.
My personal missteps - how many Americans have died as a result of that? None. Other than my family, how many victims were there? None. And yet, in refusing to engage in a responsible debate about Iraq, how many Americans died? Thousands. And America seems to have no problem with that.
I do think the challenge, in a way for me, is to write a narrative film and when you finish watching it you feel like it's a collage. You tell the narrative, you tell the story, but you feel like you've created this tapestry. But it also has a shape, a story. So I think there's a middle ground that I try to strike... away from where everyone else seems ready to go, which is, setup, payoff. You know, He's afraid of water, oh, and at the end he's swimming in water - oh, my God. I hate that stuff.
There's nothing else exactly like it in any other art form, the orchestration of so many different elements. It's endlessly fascinating what can be done editorially. You can create meaning where there was none, you can create feeling where there was none, you can create narrative where there was none. Two frames can be the difference between something that works and something that doesn't. It's fascinating.
I don't think it's a sad thing for a woman to not be in a relationship if she doesn't want to be. I feel like nobody looks at men who aren't in relationships and like, I don't know. It seems to be something looking at women like oh that's sad. But you have to look at what they want out of their lives.
There's one good thing about getting in trouble: It seems like you do it in steps. It seems like you don't just end up in trouble but that you kind of ease yourself into it. It also seems like the worse the trouble is that you get into, the more steps it takes to get there. Sort of like you're getting a bunch of little warnings on the way; sort of like if you really wanted to you could turn around.
Oh, it is quite possible that none of us in 'Downton' will ever again get the ratings this has had. But from a career point of view, it has opened so many doors.
Mum and dad thought I was going to say I was pregnant. I said oh no, no, I've just been nominated for a Golden Globe. They were like, oh that's lovely, love.
Traditional performance reviews have passed their sell-by date. Big time. There's research showing that roughly two-thirds of performance appraisals have either no effect - or a negative effect! - on employee performance.
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