A Quote by Meghana Raj
'Namukku Parkkaan' is a family drama that plots the story of a couple's struggles to build a house of their own. The character I play is every man's dream wife, one who supports her husband through thick and thin.
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My mom is my rock, and I'm blessed to have her as my mother. I can talk to her whenever I need to or want to. She supports me through thick and thin, and I'll always be there for her.
Do you ask why I am unwilling to marry a rich wife? It is because I am unwilling to be taken to husband by my wife. The mistress of the house should be subordinate to her husband, for in no other way, Priscus, will the wife and husband be on an equality.
I believe I've got the best of both worlds - a modern man with old fashioned values. I'm happy to be a house husband but won't let my wife carry her own bag.
Now it's time to play a brand new game called Name That Barcode. Here's the first one: "Thick black, thin white, thick black, thick white, thick black, thin white." OK who's going to identify that?
The prince exults whomever he selects as his consort, but the queen, rather than elevating the subject of her choice, humiliates him as a man. By all that is right, a man is not intended to be the husband of his wife, but a woman is to be her husband's wife.
Every woman who appears wrestles with the forces that would have her disappear. She struggles with the forces that would tell her story for her, or write her out of the story ... The ability to tell your own story, in words or images, is already a victory, already a revolt.
The Lord commands the wife to be submissive. Refusal to submit to the husband is therefore rebellion against God Himself. Submission to the husband is a test of her love for God as well as a test of love for her husband. The wife then must look upon her submission to her husband as an act of obedience to Christ and not merely to her husband.
It was a good script [Something New]. We have not seen an interracial issue dealt with from a black woman and white man's perspective in this way. And, usually, it's a black man, white woman. I loved the fact that it wasn't about the couple being against the world or the couple against the family. I loved the fact that it was her dealing with her own prejudices that came up, her own guilt, her own shame and embarrassment about what her peers thought.
Contrary to popular opinion, the most important characteristic of a godly mother is not her relationship with her children. It is her love for her husband. The love between husband and wife is the real key to a thriving family. A healthy home environment cannot be built exclusively on the parents' love for their children. The properly situated family has marriage at the center; families shouldn't revolve around the children.
I would love to do a drama. I did a couple of episodes of The Good Wife, which is more of a drama. I really liked that; I thought it was interesting. A lot of my favorite comedies play out as dramas.
In order to carry through any undertaking in family life, there must necessarily be either complete division between the husband and wife, or loving agreement. When the relations of a couple are vacillating and neither one thing nor the other, no sort of enterprise can be undertake. Many families remain for years in the same place, though both husband and wife are sick of it, simply because there is neither complete division nor agreement between them.
I can see clothes of silk, if materials that do not hide the body, nor even one's decency, can be called clothes. ... Wretched flocks of maids labor so that the adulteress may be visible through her thin dress, so that her husband has no more acquaintance than any outsider or foreigner with his wife's body.
I liked the idea of architectural games - you're always building and rebuilding. And I still thought of myself in opposition. I thought, If architects build a dream house, then I want to build a bad-dream house. My piece was called Bad Dream House.
Architecture might be more sportive and varied if every man built his own house, but it would not be the art and science that we have made it; and while every woman prepares food for her own family, cooking can never rise beyond the level of the amateur's work.
If you have a character stand up and put on her shoes and open the door, in order to do that, you're imagining her shoes and her clothes and her house and her door. The character becomes more real. But once you've done that, you can probably just get it all across with a couple of details.
After marriage, a woman's sight becomes so keen that she can see right through her husband without looking at him, and a man's so dull that he can look right through his wife without seeing her.
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